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Déjà Vu : Herhaling in culturen wereldwijd.
Repetition has a major role in human culture. In lullabies and prayers, in protests and warcries: from the cradle to the grave, repetitionis the companion to life's essentials. In aconstantly revolving world there is no purerepetition. Events never repeat themselvesprecisely. This is equally tr...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Dutch |
| Publicado: |
Amsterdam :
Leiden University Press,
2011.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Houppermans, Sjef. | |
| 245 | 1 | 0 | |a Déjà Vu : |b Herhaling in culturen wereldwijd. |
| 260 | |a Amsterdam : |b Leiden University Press, |c 2011. | ||
| 300 | |a 1 online resource (337 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 505 | 0 | |a Deja Vu; inhoudsopgave; Voorwoord; Introductie; Trouw niet met Bataviase juffertjes!Bataviase juffertjes zitten vol kuren Herhaling als wezenskenmerkvan de pantoen en pantoum; Ennui en herhaling bij Baudelaire; Vertaalslag in niemands land: Tom Lanoye en de poëzie uit de Groote Oorlog; Herhaling, parafrase en bewerking in het Gilgamesh-epos; Verhalen van de speelman: Herhaling in de literatuur van de twaalfde eeuw; De bruiloften van Maryam Dollekop: Het gebruik van herhaling in de Arabische volksepiek; Herhaling in verhalen over ornament. | |
| 505 | 8 | |a Herhalingsstrategieën in het fotografische werk van Idris Khan'Play it again ... ': De waarde van filmremakes; Moultaka's muwashshaha: Ontsnapping uit de cyclus van de Arabische muziek; Herhalingsrecepten: Noachs pudding in De bastaard van Istanbul; Een academische romance: David Lodge, Small World; Mister Pip: Een navertelling zonder opsmuk; Herneming der herhalingen: Van Kierkegaard tot Robbe-Grillet; Abrahams offer: Of de dwangmatige herhaling van een vader-mythe; over de auteurs; index. | |
| 520 | |a Repetition has a major role in human culture. In lullabies and prayers, in protests and warcries: from the cradle to the grave, repetitionis the companion to life's essentials. In aconstantly revolving world there is no purerepetition. Events never repeat themselvesprecisely. This is equally true of repetitionin Literature and Art, where the use ofrepetition is varied and frequent. How doesrepetition work? And how can it be of use?Déjà Vu unravels these questions in fifteenchapters ranging from film remakes andBaudelaire to the offer of Abraham and DavidLodge, Small World. Déjà Vu shows thatrep. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a Dutch. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Arts in general. | |
| 650 | 0 | |a Manuscripts, Medieval. | |
| 650 | 0 | |a Repetition (Aesthetics) | |
| 650 | 0 | |a Repetition in literature. | |
| 650 | 6 | |a Manuscrits médiévaux. | |
| 650 | 6 | |a Répétition (Esthétique) | |
| 650 | 6 | |a Répétition (Rhétorique) | |
| 650 | 7 | |a The arts. |2 bicssc | |
| 650 | 7 | |a History of art |x art and design styles. |2 bicssc | |
| 650 | 7 | |a Manuscripts, Medieval |2 fast | |
| 650 | 7 | |a Repetition (Aesthetics) |2 fast | |
| 650 | 7 | |a Repetition in literature |2 fast | |
| 653 | |a Repetition | ||
| 700 | 1 | |a Jacobs, Jef. | |
| 700 | 1 | |a Kruk, Remke. | |
| 758 | |i has work: |a Déjà Vu (Text) |1 https://id.oclc.org/worldcat/entity/E39PCXtv7wG6xckKgkGqTGDqpP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Houppermans, Sjef. |t Déjà Vu : Herhaling in culturen wereldwijd. |d Amsterdam : Leiden University Press, ©2011 |z 9789087281465 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3327196 |z Texto completo |
| 880 | 3 | |6 246-00/(2/r |a Dֳ©jֳ Vu | |
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