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120402s1998 enk o 000 0 eng d |
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|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCQ
|d UKBOL
|d OCLCO
|d OCLCF
|d OCLCQ
|d OCLCO
|d OCLCQ
|d ZCU
|d MERUC
|d OCLCQ
|d ICG
|d OCLCQ
|d DKC
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|d OCL
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|a 9780195355079
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|a 0195355075
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|a DEBBG
|b BV044155997
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|a (OCoLC)782867124
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|a PN1042.C46
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|a 808.1
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|a UAMI
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|a Bernstein, Charles.
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|a Close Listening :
|b Poetry and the Performed Word.
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|a Oxford :
|b Oxford University Press, USA,
|c 1998.
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|a 1 online resource (715 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a Cover Page; Title Page; Copyright Page; Acknowledements; Contents; Contributors; Introduction; Sound's Measures; Letter on Sound; The Aural Ellipsis and the Nature of Listening in Contemporary Poetry; Praxis A Political Economy of Noise and Informalism; After Free Verse The New Nonlinear Poetries; Ether Either; Performing Words; Visual Performance of the Poetic Text; Voice in Extremis; Toward a Poetics of Polyphony and Translatability; Speech Effects The Talk as a Genre; Sound Reading; Close Hearings/ Historical Settings; Understanding the Sound of Not Understanding.
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|a The Contemporary Poetry ReadingNeon Griot The Functional Role of Poetry Readings in the Black Arts Movement; Was That "Different," "Dissident" or "Dissonant"? Poetry (n) the Public Spear: Slams, Open Readings, and Dissident Traditions; Local Vocals Hawa'i's Pidgin Literature, Performance, and Postcoloniality; Afterword; Audio Resources; Bibliography.
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|a Close Listening brings together seventeen strikingly original essays, especially written for this volume, on the poetry reading, the sound of poetry, and the visual performance of poetry. While the performance of poetry is as old as poetry itself, critical attention to modern and postmodern poetry performance has been surprisingly slight. This volume, featuring work by critics and poets such as Marjorie Perloff, Susan Stewart, Johanna Drucker, Dennis Tedlock, and Susan Howe, is the first comprehensive introduction to the ways in which twentieth-century poetry has been practiced as a performanc.
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|a Print version record.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Poetics.
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650 |
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|a American poetry
|x History and criticism.
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650 |
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|a English poetry
|x History and criticism.
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650 |
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|a Literature
|x Philosophy.
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650 |
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|a Poétique.
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650 |
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|a Poésie américaine
|x Histoire et critique.
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650 |
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|a Poésie anglaise
|x Histoire et critique.
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650 |
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|a Literature
|x Philosophy
|2 fast
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650 |
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|a American poetry
|2 fast
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650 |
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7 |
|a English poetry
|2 fast
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650 |
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7 |
|a Poetics
|2 fast
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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758 |
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|i has work:
|a Close listening (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCG8YDCbXtxVMDTPxrxjvh3
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
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|i Print version:
|a Bernstein, Charles.
|t Close Listening : Poetry and the Performed Word.
|d Oxford : Oxford University Press, USA, ©1998
|z 9780195109924
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856 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=728829
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL728829
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994 |
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|a 92
|b IZTAP
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