Metric manipulations in Haydn and Mozart : chamber music for strings, 1787-1791 /

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Combining historical music theory with the cognitive study of music, this book traces metric manipulations and strategies in Haydn and Mozart's string chamber music from 1787 to 1791. Her analyses shed light on this repertoire and redefine the role of meter and rhythm in Classical music.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Mirka, Danuta
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oxford : Oxford University Press, ©2009.
Colección:Oxford studies in music theory.
Temas:
Haydn, Joseph, > 1732-1809 > Criticism and interpretation.
Mozart, Wolfgang Amadeus, > 1756-1791 > Criticism and interpretation.
Haydn, Joseph, > 1732-1809
Mozart, Wolfgang Amadeus, > 1756-1791
Haydn, Joseph.
Mozart, Wolfgang Amadeus.
Haydn, Joseph, > 1732-1809 > analys och tolkning.
Mozart, Wolfgang Amadeus, > 1756-1791 > analys och tolkning.
1700-1799
Chamber music > 18th century > Analysis, appreciation.
Chamber music > 18th century > History and criticism.
Musical meter and rhythm.
Musique de chambre > 18e siècle > Analyse et appréciation.
Musique de chambre > 18e siècle > Histoire et critique.
Musique > Mesure et rythme.
MUSIC > Genres & Styles > Chamber.
Chamber music
Chamber music > Analysis, appreciation
Musical meter and rhythm
Music.
Music, Dance, Drama & Film.
Music Instruction & Study.
Kammermusik.
Metrik.
Rhythmus.
Rytm (musik)
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction; Note on Terminology, Language, and Musical Examples; 1 Musical Meter between Composition and Perception; 1.1 The Concept of Meter in the Late Eighteenth Century; 1.2 The Revival of the Hierarchical Concept of Meter in the Twentieth Century; 1.3 Toward a Dynamic Model of Meter; 1.4 Borrowing from a Different Model; 2 Finding Meter; 2.1 Statistical Parameters; 2.2 Harmony; 2.3 Streaming and the Role of Bass; 2.4 Cadence (Structural Accent); 3 Sustaining Meter-Challenging Meter; 3.1 Metrum and Regularity of Beats; 3.2 Missing Beats; 3.3 General Pauses; 3.4 Fermatas.
  • 3.5 Syncopations4 Changing Meter I: Change of Period; 4.1 Imbroglio; 4.2 Submetrical Dissonance; 4.3 Hemiola; 5 Changing Meter II: Change of Phase; 5.1 Chains of Rhythmical Dissonances; 5.2 Other Parameters in Displacement Dissonances; 5.3 Imitation; 5.4 Ligaturae, Retardation, Anticipation; 5.5 Syncopated Accompaniment; 5.6 A Remark on Subliminal Dissonances; 6 Changing Meter III: Change of Tactus; 6.1 Changes of Taktteile in Compound Meters; 6.2 Changes of Taktteile in Double Measures; 6.3 Perceptual Factors; 6.4 Taktteile and the Tactus; 7 Analyses of Long-Range Metrical Strategies.
  • 7.1 Haydn, String Quartet in C Major, Op. 50 No. 2, First Movement7.2 Haydn, String Quartet in F Minor, Op. 55 No. 2, Finale; 8 Wit, Comedy, and Metric Manipulations in Haydn's and Mozart's Personal Styles; 8.1 Haydn; 8.2 Mozart; 8.3 Haydn's Earlier and Later String Quartets; 8.4 Inconclusive Conclusion; Bibliography; Index of Compositions; General Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z.

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