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|a 791.4302/33092
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|a UAMI
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|a Cinema's alchemist :
|b the films of Péter Forgács /
|c Bill Nichols and Michael Renov, editors.
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|a Minneapolis :
|b University of Minnesota Press,
|c ©2011.
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|a 1 online resource (xxi, 271 pages) :
|b illustrations
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|a text
|b txt
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|a computer
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|a online resource
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|a data file
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|a Bibliography
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|a Visible evidence ;
|v v. 25
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|a Includes bibliographical references and index.
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|a Introduction / Bill Nichols -- Setting the Scene. Péter Forgács: an interview / Scott MacDonald -- The memory of loss: Péter Forgács' Saga of family life and social hell / Péter Forgacs and Bill Nichols, in dialogue -- The Holocaust Films. Toward a new historiography: the aesthetics of temporality / Ernst van Alphen -- Ordinary film: The maelstrom / Michael S. Roth -- Historical discourses of the unimaginable: The maelstrom / Michael Renov -- Waiting, hoping, among the Ruins of All the Rest / Kaja Silverman -- The trace: framing the presence of the past in Free fall / Malin Wahlberg -- Other films/other contexts. How to make history perceptible: The Bartos family and the private Hungary series / Roger Odin -- Found images as witness to Central European history: a Bibø reader and Miss Universe 1929 / Catherine Portuges -- Reenvisioning the documentary fact: on saying and showing in Wittgenstein Tractatus and bourgeois dictionaries / Tyrus Miller -- The world rewound: Wittgenstein Tractatus / Whitney Davis -- Taking the part for the whole: some thoughts inspired by the film music of Tibor Szemzø / Tamøs Korønyi -- Analytical spaces: the installations of Péter Forgács / Laszlo F. Føldønyi -- Reorchestrating history: transforming The Danube exodus into a database documentary / Marsha Kinder.
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|a Print version record.
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|a Péter Forgács, based in Budapest, is best known for his award-winning films built on home movies from the 1930s to the 1960s that document ordinary lives soon to intersect with offscreen historical events. Cinema's Alchemist offers a sustained exploration of the imagination and skill with which Forgács reshapes such film footage, originally intended for private and personal viewing, into extraordinary films dedicated to remembering the past in ways that matter for our future. ontributors: Whitney Davis, U of California, Berkeley; László F. Földényi, U of Theatre, Film and Television, Budapest.
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|a JSTOR
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a Forgács, Péter
|x Criticism and interpretation.
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1 |
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|a Forgács, Péter
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJbRj7RyXgHTVyP6RWCYT3
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|a PERFORMING ARTS
|x Film & Video
|x Direction & Production.
|2 bisacsh
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|a ART
|x Film & Video.
|2 bisacsh
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|a Criticism, interpretation, etc.
|2 fast
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|a Nichols, Bill,
|d 1942-
|1 https://id.oclc.org/worldcat/entity/E39PBJtmvkXt4pf9449WTBxhpP
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|a Renov, Michael,
|d 1950-
|1 https://id.oclc.org/worldcat/entity/E39PCjJ7X6Rp6x9XWqhMG3k8VK
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|i has work:
|a Cinema's alchemist (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGKQ6HDR9RxB8P7QM9mfMP
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|i Print version:
|t Cinema's alchemist.
|d Minneapolis : University of Minnesota Press, ©2011
|z 9780816648740
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|w (OCoLC)719427922
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|a Visible evidence ;
|v v. 25.
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