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|a Bozak, Nadia.
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|a The Cinematic Footprint :
|b Lights, Camera, Natural Resources.
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|a Piscataway :
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|a Acknowledgments; Introduction; Chapter 1 -- Energy; Chapter 2 -- Resource; Chapter 3 -- Extraction; Chapter 4 -- Excess; Chapter 5 -- Waste; Conclusion; Notes; Bibliography; Index; About the Author.
|
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|a Nadia Bozak's innovative fusion of film studies and environmental studies leads her to make provocative connections between the disappearance of material resources and the emergence of digital media - with examples ranging from early cinema to Dziga Vertov's prescient eye, from Chris Marker's analog experiments to the digital work of Agn̈s Varda, James Benning, and Zacharias Kunuk.
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|a Includes bibliographical references and index.
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|a JSTOR
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|a Motion picture industry
|x Environmental aspects.
|
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|a Motion pictures
|x Production and direction
|x Environmental aspects.
|
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|
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|a Cinéma
|x Industrie
|x Aspect de l'environnement.
|
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|a Cinéma
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|
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|a Geschichte.
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|i has work:
|a The Cinematic Footprint (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGjjG6RM47Q6wf6WwfDwYd
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Bozak, Nadia.
|t Cinematic Footprint : Lights, Camera, Natural Resources.
|d Piscataway : Rutgers University Press, ©2011
|z 9780813551388
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