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Who Hears in Shakespeare? : Shakespeare's Auditory World, Stage and Screen.
This volume examines the ways in which Shakespeare's plays are designed for hearers as well as spectators and shows how Shakespeare's stagecraft, actualized both on stage and screen.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , , , , , , , , , , , , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lanham :
Fairleigh Dickinson University Press,
2011.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Who Hears in Shakespeare? : |b Shakespeare's Auditory World, Stage and Screen. |
| 260 | |a Lanham : |b Fairleigh Dickinson University Press, |c 2011. | ||
| 300 | |a 1 online resource (285 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 520 | |a This volume examines the ways in which Shakespeare's plays are designed for hearers as well as spectators and shows how Shakespeare's stagecraft, actualized both on stage and screen. | ||
| 505 | 0 | |a Dedication; Contents; Acknowledgments; Introduction: Shakespeare's Auditory World; Part I: The Poetics of Hearing and the Early Modern Stage; Chapter 01. Why Was the Globe Round?; Chapter 02. Guarded, Unguarded, and Unguardable Speech in Late Renaissance Drama; Chapter 03. Hearing Complexity; Chapter 04. "If This Be Worth Your Hearing"; Part II: Metahearing: Hearing, Knowing, and Audiences, Onstage and Off; Chapter 05. Mimetic Hearing and Meta-Hearing in Hamlet; Chapter 06. Hearing and Overhearing in The Tempest; Chapter 07. Asides and Multiple Audiences in The Merchant of Venice. | |
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Speech in literature. | |
| 650 | 0 | |a Listening in literature. | |
| 650 | 0 | |a Voice in literature. | |
| 650 | 0 | |a Oral communication in literature. | |
| 650 | 6 | |a Parole dans la littérature. | |
| 650 | 6 | |a Voix dans la littérature. | |
| 650 | 6 | |a Communication orale dans la littérature. | |
| 650 | 7 | |a Listening in literature |2 fast | |
| 650 | 7 | |a Oral communication in literature |2 fast | |
| 650 | 7 | |a Speech in literature |2 fast | |
| 650 | 7 | |a Voice in literature |2 fast | |
| 700 | 1 | |a Magnus, Laury. | |
| 700 | 1 | |a Cannon, Walter W., |d 1945- |1 https://id.oclc.org/worldcat/entity/E39PCjH8738rxmRdQhPY6FpC6X | |
| 700 | 1 | |a Bevington, David M. | |
| 700 | 1 | |a Booth, Stephen, |d 1933- |1 https://id.oclc.org/worldcat/entity/E39PBJxWQ7yRXx6B9cy4hV97HC | |
| 700 | 1 | |a Burton, J. Anthony. | |
| 700 | 1 | |a Gaskill, Gayle. | |
| 700 | 1 | |a Gurr, Andrew. | |
| 700 | 1 | |a Hirsh, James E., |d 1946- |1 https://id.oclc.org/worldcat/entity/E39PCjD74TmYBgq3FCctRgQtYX | |
| 700 | 1 | |a Holl, Jennifer. | |
| 700 | 1 | |a Kliman, Bernice W. | |
| 700 | 1 | |a Minear, Erin. | |
| 700 | 1 | |a Myhill, Nova, |d 1970- |1 https://id.oclc.org/worldcat/entity/E39PCjJTFqbxVQjtWGMkPHykMq | |
| 700 | 1 | |a Sheppard, Philippa, |d 1966- |1 https://id.oclc.org/worldcat/entity/E39PCjGRyVdt7cf4j9b8YmmGHC | |
| 700 | 1 | |a Smith, Kathleen Kalpin. | |
| 758 | |i has work: |a Who hears in Shakespeare? (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFvPtYcvrCk3RpJdcvBRXd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |z 9781611474749 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=858963 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL858963 | ||
| 938 | |a YBP Library Services |b YANK |n 7236745 | ||
| 994 | |a 92 |b IZTAP | ||