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|a UAMI
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|a Friedman, Ryan Jay.
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|a Hollywood's African American films :
|b the transition to sound /
|c Ryan Jay Friedman.
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|a Piscataway :
|b Rutgers University Press,
|c 2011.
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|a 1 online resource (xi, 247 pages) :
|b illustrations
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|a text
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|a Print version record.
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|a Includes bibliographical references and index.
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|a Acknowledgments; Introduction; c h a p t e r 1; c h a p t e r 2; c h a p t e r 3; c h a p t e r 4; c h a p t e r 5; Conclusion; Notes; Index.
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|a In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for "Negro films." "Hollywood's African American Films" argues that the movie business turned to black musical performance to both resolve technological and aesthetic problems introduced by the medium of "talking pictures" and, at the same time, to appeal to the white "Broadway" audience that patronized their most lucrative first-run theaters. Ryan Jay Friedman a.
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|a JSTOR
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650 |
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|a African Americans in motion pictures.
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650 |
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|a African Americans in the motion picture industry.
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650 |
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|a Race in motion pictures.
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|a Motion pictures
|z United States
|x History
|y 20th century.
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|a Noirs américains au cinéma.
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|a Noirs américains dans l'industrie cinématographique.
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|a Race au cinéma.
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|a Cinéma
|z États-Unis
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|y 20e siècle.
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|x Anthropology
|x Cultural.
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|a African Americans in motion pictures
|2 fast
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|a African Americans in the motion picture industry
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|a Motion pictures
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|1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq
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|a 1900-1999
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|i has work:
|a Hollywood's African American films (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGhWGTDF8FjP9HjpJb7WDq
|4 https://id.oclc.org/worldcat/ontology/hasWork
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