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Why/Why Not.

Why/Why Not presents a speaker caught in quandaries created by changing perspectives, fervors, and locales. Why do we act one way here and another there; why can't a mind stay made up; why do we hate and love at the same time; why does memory fade or insist; why does the ordinary seem so uncann...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ronk, Martha
Formato: Electrónico eBook
Idioma:Inglés
Publicado: CA : University of California Press, 2003.
Colección:New California poetry.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Why/Why Not. 
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505 0 |a Cover; Contents; 1 perplexities; In the perplexities; Each had been reading the night before; In consequence; Causality; A rational explanation; The placement of things; After the dark came; Odi et amo 1; Odi et amo 2; Odi et amo 3; Odi et amo 4; 2 why knowing is; -- why knowing is -; Why knowing is / (& Matisse's Woman with a Hat); How often, meaning what sort of quandariness; The decisions are already past; And so geography; Hopelessly lost / (& a beach painting by Renoir); It seems the energy; If it is someone else's rent / (& van Gogh's The Bedroom); Unable to keep the spill from spilling. 
505 8 |a Trying to move outThe cause for wandering; In the church with angel heads / (& a portrait of Mary and child); Waking from exhaustion; And yet; The very insignificance was what; Considering the waywardness; Avoidance proper is a verb; -- act 3 -; Act 3; The scene of the crime; Anticipation; The missing person; The missing memory; That subject again; The remains; Bounded in a nutshell; A dream itself is but a shadow; Mysterious rooms; Acting; The mother; The logic of alphabets; Words, words, words; The reason for seduction on a maroon couch; The point of no return; A memory of the pond. 
505 8 |a Photographic proofOphelia over the pond; 3 why/why not; -- why -; Explanations beside the point; By what means saying I know this or see that; I'm told you can't be in the quandary; Does it matter why the bell lacks a clapper; If I want it to be what was even though I could hardly wait; If I say I don't believe you is this impatience; The paragraph she gives me to live in is I don't know how; Shoes are why every moment is a fact I wish I could; Where we'll walk to and why and having learned; How forward looking can we be in the midst of the future. 
505 8 |a As a motto go slow ought to work out wondering or notWhy in the middle of a perfectly good season; -- why not -; OK it's over she; Almost immediately a chance at another; When it's an obvious ploy; I don't want to know you anymore; Moss eats recollection; Recall the sea then; I'm always in the way; Thistles in a sock for the birds; It's a covet; If love goes on and always does; The object is now greener; OK so you're creeping along; The decision in absentia; There's many a slip; They all loved nature; She's gotten too too; No endings or beginnings or anything. 
505 8 |a How can a lemon be a subject of anythingAcknowledgments. 
520 |a Why/Why Not presents a speaker caught in quandaries created by changing perspectives, fervors, and locales. Why do we act one way here and another there; why can't a mind stay made up; why do we hate and love at the same time; why does memory fade or insist; why does the ordinary seem so uncanny? These questions are captured in lines that collide and merge, in irreverent and offhand jibes, and in plaintive repetitions. Why/Why Not moves across a vivid terrain--the stage of Hamlet, Phillip Marlowe's Los Angeles, Prague, paintings and gardens--to push through a tangle of ways to make sense of the w. 
588 0 |a Print version record. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
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650 6 |a Poésie américaine  |y 20e siècle. 
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653 |a contemporary poetry. 
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653 |a famous poets. 
653 |a female speaker. 
653 |a hamlet. 
653 |a human experience. 
653 |a human thought. 
653 |a intellectual poetry. 
653 |a irreverent. 
653 |a literature students. 
653 |a los angeles. 
653 |a making sense. 
653 |a memory. 
653 |a narrative poetry. 
653 |a phillip marlowe. 
653 |a philosophy. 
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653 |a repetition. 
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653 |a touching. 
653 |a women authors. 
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830 0 |a New California poetry. 
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