Paris School Semiotics : Volume II: Practice.

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It has often been claimed that the aim of semiotics is to establish a general theory of systems of signification. However, as Jean-Claude Coquet notes in a recent collection of essays, what distinguishes one school of semiotics from another is the initial definition given of sign. If, for certain se...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Perron, Paul
Otros Autores: Collins, Frank (Frank H.)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : John Benjamins Publishing Company, 1989.
Temas:
Semiotics > France.
REFERENCE > Questions & Answers.
Semiotics
France
Acceso en línea:Texto completo
Tabla de Contenidos:
  • PARIS SCHOOL SEMIOTICS II. PRACTICE; Title page; Editorial page; Copyright page; Table of contents; Introduction; NOTES; Basil Soup or the Construction of an Object of Value; I. THE CULINARY RECIPE; II. OBJECT AND VALUE; III. THE STRATEGIC ARRANGEMENT; III. 1. The Vegetable Soup; III. 2. The Basil Sauce (Pistou); III. 3. The Programming; IV. SOME CONCLUSIONS; NOTE; Linguistic Meaning and Re-Interpretation. The Work, by Tom Pickard; INTRODUCTION; I. TEXTUAL STRUCTURES; 1. Preliminary Observations; 2. Groupings and Relationships; 3. Remarks; II. SEMIO-NARRATTVE STRUCTURES.
  • 1. Marks and Form of Narrativity2. The Predicative Analysis; 3. The Transformational Analysis; 4. Narrativization; III. DISCURSIVE STRUCTURES; 1. Actorialization; 2. Enunciation/Veridiction; 3. Figurativization; 4. Manipulation; IV. RE-INTERPRETATION AND EXEGESIS; 1. Primary meaning: and after?; 2. Referenciation; 1. (Re- )contextualization; 2. Conflicts of values; 3. Symbolicity; 1. The psychoanalytical hypothesis; 2. A metalinguistic reading; NOTES; The Function of Admiration in the Esthetic of the XVIIth Century. The "Roman charity" scene in Poussin's La Manne; I. METHOD
  • OBJECT OF STUDY.
  • I.1. Uttered enunciation
  • a point of access to the estheticI.2. "Roman charity"; I.3. Philological digression; II. ADMIRATION; II.1. "Admiration" according to Descartes and Malebranche; II.2. A passion sequence: curiosity
  • "admiration"
  • consideration; III. TOWARD A NARRATIVE ANALYSIS OF ENUNCIATION; III.1. "Admiration" in Enunciative Strategy; III.2. A Rhetoric of Manipulation; III.3. Human charity
  • divine charity; III.4. Man-hu: what is that?; III.5. The story given by the enunciative process: the marvel
  • the miracle
  • the mystery; III.6. Classical esthetics
  • Baroque esthetics.
  • APPENDIXEXTERNA; NOTES; REFERENCES; Sources; Studies; The Semiotics of the Plastic Arts and the Language of Advertising. Analysis of an Advertisement from the Campaign to Launch the "News" Brand Cigarette; I. INTRODUCTORY NOTE; II. ANALYSIS OF THE ADVERTISEMENTS SIGNIFIER; III. A STUDY OF THE SIGNIFIED OF THE ADVERTISEMENT; IV. THE PLASTIC DIMENSION AND THE SEMI-SYMBOLIC SYSTEM; V. THE OTHER ADVERTISEMENTS OF THE CAMPAIGN; VI. CONCLUSION; Public Opinion and its Spokesmen; I.A SEMIOTTC OBJECT; II. ADRAMATURGY; II.1. "Public Opinion" and "Political Class"; II.2. The Public.
  • II. 3. The Sharing of CompetenciesIII. WHAT IS THE USE OF OPINION?; III. 1. A Polyvalent Operator; III. 2. The Problematics of the Narrator; III. 3. Qualitative and Quantitative Points of View; IV. IDEOLOGICAL VARIATIONS; IV. 1. Following Public Opinion; IV. 2. Defying Opinion; IV. 3. Deceiving Public Opinion; IV. 4. Facing Opinion; V.A FUNCTIONAL SPECTACLE; V.1. The Authorized Enunciator; V.2. The Normalized Enunciatee; NOTES; On Demonstration. An Analysis of the Actantial Structure of Causing-to-Believe; I. INTRODUCTION; II. THE REALIZED PERFORMANCE; II. 1. Global Segmentation.

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