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Mimesis in Contemporary Theory : Volume 1: The literary and philosophical debate.
After almost two hundred years of relative obscurity mimesis finds itself again in the limelight of Western theoretical discourse. In the Anglo-American tradition, mimesis or 'imitation' regained some prominence, at the turn of the century, through S.H. Butcher's translation of and in...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
John Benjamins Publishing Company,
1984.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 111226s1984 ne o 000 0 eng d | ||
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| 050 | 4 | |a PN47 .M56 1984 | |
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| 049 | |a UAMI | ||
| 100 | 1 | |a Spariosu, Mihai. | |
| 245 | 1 | 0 | |a Mimesis in Contemporary Theory : |b Volume 1: The literary and philosophical debate. |
| 260 | |a Amsterdam : |b John Benjamins Publishing Company, |c 1984. | ||
| 300 | |a 1 online resource (329 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a MIMESISIN CONTEMPORARY THEORY: AN INTERDISCIPLINARY APPROACHVolume I: The Literary and Philosophical Debate; Editorial page; Title page; Copyright page; Table of contents; EDITOR'S INTRODUCTION; NOTES; PART I. THE LITERARY AND PHILOSOPHICAL DEBATE; THE MIMETIC BIAS IN MODERN ANGLO-AMERICAN CRITICISM; NOTES; SUBVERSIVE MIMESIS: THEODOR W. ADORNO AND THE MODERN IMPASSE OF CRITIQUE; NOTES; MIMESIS AND CONTEMPORARY FRENCH THEORY; NOTES; PART II. MODEL AND COPY (1): THE INTERRELATION OF LITERATURE AND OTHER MODES OF DISCOURSE; SPENSER'S ARCADIA: THE INTERRELATION OF FICTION AND HISTORY; I; II; III. | |
| 505 | 8 | |a IVV; NOTES; SIMULATION AND IMAGINATION: MIMESIS AS PLAY; 1. Simulation, ; 2. The definition of simulation given ÄT the beginning of the previoussection has intentionally been formulated in a reticent way.; 3. As far as the representation character of play is concerned, ; 4. In our presentation of William Stern's analysis of phantasy (imagination), ; 5. The similarity of play and imagination extends to their internal structure .; 6. The complex character of imagining or phantasying is linked withcreativity, ; NOTES; IDOLOLOGY: THE MODEL IN ARTISTIC PRACTICE AND CRITICAL THEORY; Introduction. | |
| 505 | 8 | |a Imitations and CopiesHidden Variables in Artistic Representation; A Short History of the Disappearance of the Model in Artistic Representation; Idols and Martyrs; NOTES; PART III. MODEL AND COPY (2): THE REFRACTION OF TEXTS; FOLLOWING THE CLASSICS: LAYERS OF STYLISTIC MIMESIS; I; II; III; NOTES; ON THE REFRACTION OF TEXTS; I; II; III; MIMESIS, MEDIATION AND COUNTERFEIT; I; II; III; IV; NOTES; SUGGESTIONS FOR FURTHER READING; CONTRIBUTORS; INDEX OF NAMES. | |
| 520 | |a After almost two hundred years of relative obscurity mimesis finds itself again in the limelight of Western theoretical discourse. In the Anglo-American tradition, mimesis or 'imitation' regained some prominence, at the turn of the century, through S.H. Butcher's translation of and introduction to Aristotle's Poetics, and, in the thirties, through the work of the Chicago school, also centered around Aristotle. More recently, mimesis looms large in the work of Auerbach, Burke and Frye. But it is only in the past decade or so, with the publication in France of the work of Barthes, Derrida, Gira. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Mimesis in literature. | |
| 650 | 6 | |a Mimêsis dans la littérature. | |
| 650 | 7 | |a Mimesis in literature |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Spariosu, Mihai. |t Mimesis in Contemporary Theory: An interdisciplinary approach. |d Amsterdam : John Benjamins Publishing Company, ©1984 |z 9789027242235 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=829529 |z Texto completo |
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