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Gothic machine : textualities, pre-cinematic media and film in popular visual culture, 1670-1910 /

Almost everyone loves a good horror film but how did they originate? Audiences thrilled and shuddered at ghosts and monsters projected on screens all over Europe for centuries before film was born. This pioneering book traces the origins and development of the magic lantern shows of fear and reveals...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Jones, David J. (David James), 1953- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cardiff : University of Wales Press, 2011.
Colección:Gothic literary studies.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Jones, David J.  |q (David James),  |d 1953-  |e author.  |1 https://id.oclc.org/worldcat/entity/E39PCjxkfY7Kc8QMFYfhgxkwbq 
245 1 0 |a Gothic machine :  |b textualities, pre-cinematic media and film in popular visual culture, 1670-1910 /  |c David J. Jones. 
264 1 |a Cardiff :  |b University of Wales Press,  |c 2011. 
264 4 |c ©2011 
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490 1 |a Gothic literary studies 
520 |a Almost everyone loves a good horror film but how did they originate? Audiences thrilled and shuddered at ghosts and monsters projected on screens all over Europe for centuries before film was born. This pioneering book traces the origins and development of the magic lantern shows of fear and reveals their close relation to the great upsurge in Gothic writing, so popular with readers today. 
504 |a Includes bibliographical references and index. 
505 0 |a Memento Mori, Griendel and the Forerunners, Schröpferand Schiller: German Popular Visual Culture 1670-1800. Friedrich Schiller's Der Geisterseher/The Ghost-Seer, Sturm und Drang and Magic-Lantern Shows -- Matthew Lewis's The Monk, the Marquis de Sade andInter-Medial Influence: The Publishers, Readership, Visual Spectacle and the Staging of Gothic 1790-1830 -- Etienne-Gaspard Robertson's Gothic Fantasmagorie and E.T.A. Hoffmann -- Gothic Renewal and Bifurcation: Sheridan Le Fanu, Edward Bulwer-Lytton's The Strange Tale, Charles Dickens, Pepper's Ghost and Etienne-Jules Marey. The Daguerreotype and Diablerie in French Visual Media -- 'In or around the Winter, 1895': From the Prelude to Cinema Proper. French Gothic Symbolism, Villiersde L'Isle-Adam, J.-K. Huysmans, the féeries of Georges Méliès and Alice Guy Blaché's Esmeralda -- 'Another Kind of Showman': Robert Louis Stevenson, Bram Stoker, Robert Paul, Albert Smith and Film's First Frankenstein. Anglo-American Gothic in the Age of the First Films 1895-1910 -- Conclusion: French Extremity. 
588 |a Description based on online resource; title from digital title page (viewed on March 26, 2020). 
546 |a English. 
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650 0 |a Gothic fiction (Literary genre)  |x History and criticism. 
650 7 |a BIOGRAPHY & AUTOBIOGRAPHY  |x Literary.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x Gothic & Romance.  |2 bisacsh 
650 7 |a Gothic fiction (Literary genre)  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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776 0 8 |i Print version:  |a Jones, David J.  |t Gothic Machine : Textualities, Pre-Cinematic Media and Film in Popular Visual Culture, 1670-1910.  |d Cardiff : University of Wales Press, ©2011  |z 9780708324073 
830 0 |a Gothic literary studies. 
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