Visions in Exile : the body in Spanish literature and linguistics, 1500-1800.

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Malcolm K. Read employs a psychoanalytic model which sees civilization as a manner of instinctual renunciation in this analysis of selected texts from the sixteenth, seventeenth, and eighteenth centuries. Focusing on their moments of silence and contradiction, he demonstrates that certain attitudes...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Read, Malcolm K.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam/Philadelphia : John Benjamins Pub. Co., 1990.
Colección:Purdue University monographs in Romance languages ; v. 30.
Temas:
1500-1799
Spanish literature > Classical period, 1500-1700 > History and criticism.
Spanish literature > 18th century > History and criticism.
Spanish philology.
Psychology and literature.
Human body in literature.
Mind and body in literature.
Littérature espagnole > 18e siècle > Histoire et critique.
Philologie espagnole.
Psychologie et littérature.
Corps humain dans la littérature.
Esprit et corps dans la littérature.
Human body in literature
Mind and body in literature
Psychology and literature
Spanish literature
Spanish literature > Classical period
Spanish philology
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • VISIONS IN EXILE The Body in Spanish Literature and Linguistics: 1500-1800; Editorial page; Title page; Copyright page; Table of contents; Preface; 1. The Structure of Repression in Renaissance and Baroque Linguistics; I; II; III; IV; V; VI; VII; VIII; IX; X; XI; XII; XIII; XIV; XV; 2. Dwarfs and Giants in a Family Romance:Luis de Góngora's Fábula de Polifemo y Galatea and Soledades; I; II; III; IV; V; VI; VII; VIII; IX; X; XI; XII; XIII; 3. Angel in the Mire: Francisco de Quevedo; I; II; III; IV; V; VI; VII; VIII; IX; X; XI; XII; XIII; 4. The Rhetoric of Innocence: Benito Jerónimo Feijoo; I
  • IIIII; IV; V; VI; VII; VIII; IX; X; XI; XII; XIII; XIV; XV; 5. The Weaver's Trade: Diego de Torres Villarroel; I; II; III; IV; V; VI; VII; VIII; IX; X; XI; XII; XIII; XIV; XV; XVI; 6. The Critical Sublime: Ignacio de Luzán and Esteban de Arteaga; I; II; III; IV; V; VI; VII; VIII; IX; X; XI; XII; XIII; XIV; XV; 7. The Anatomy of Grammar in Eighteenth-Century Models of Linguistic Change; I; II; III; IV; V; VI; VII; VIII; IX; X; Conclusion; Notes; Bibliography

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