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Theory of Performing Arts.
N recent years, the post structuralist theories seem to have created a split in theatrological research. But, as André Helbo analyses in this book, a dialectic theory of the semiotic and the symbolic exchange bring to light a specific paradigm. From his wide experience as a semiotician and a theatr...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam/Philadelphia :
John Benjamins Pub. Co.,
1987.
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| Colección: | Critical theory ;
v. 5. |
| Temas: | |
| Acceso en línea: | Texto completo |
| Sumario: | N recent years, the post structuralist theories seem to have created a split in theatrological research. But, as André Helbo analyses in this book, a dialectic theory of the semiotic and the symbolic exchange bring to light a specific paradigm. From his wide experience as a semiotician and a theatrologist, the author has developed an analysis for the theory of spectacle. Focusing his study on a critical theory of the performing arts, and examining the fundamental controversies, he then offers new perspectives and new instruments of analysis: the social aspects, readability/visibility, coheren. |
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| Descripción Física: | 1 online resource (161 pages) |
| Bibliografía: | Includes bibliography: p. 147-153. |
| ISBN: | 9789027279002 9027279004 1283358921 9781283358927 9786613358929 6613358924 |