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Between stillness and motion : film, photography, algorithms /
"New technological media such as film, photography and computers have altered the way we perceive possible relations between stillness and motion in the visual arts. Traditionally, cinema theory saw cinema and especially the 'illusion of motion' as part of the ideological swindle of t...
| Clasificación: | Libro Electrónico |
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| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
2011.
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| Colección: | Film culture in transition.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction. The still/moving field: an introduction / Eivind Røssaak
- Philosophies of motion. The play between still and moving images: nineteenth-century "philosophical toys" and their discourse / Tom Gunning
- Digital techniques beyond the "last machine": thinking digital media with Hollis Frampton / Mark B.N. Hansen
- The use of Freeze and slide motion. The figure of visual standstill in R.W. Fassbinder's films / Christa Blümlinger
- The temporalities of the narrative slide motion film / Liv Hausken
- The cinematic turn in the arts. Stop/motion / Thomas Elsaesser
- After "photography's expanded field" / George Baker
- On 'On Otto': moving images and the new collectivity / Ina Blom
- The algorithmic turn. Mutable temporality in and beyond the music video: and aesthetic of post-production / Arild Fetveit
- Algorithmic culture: beyond the photo/film divide Eivind Røssaak
- Archives in between. "The archives of the planet": and montage: the movement of the crowd and "the rhythm of life" / Trond Lundemo.