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Whiting up : whiteface minstrels & stage Europeans in African American performance /

In this work, McAllister defines and explores whiting up, a long tradition in which African American actors, comics, musicians, and even everyday people have assumed white racial identities in a performative context. Whether in 19th century minstrel shows, in stage European performances where black...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: McAllister, Marvin Edward, 1969-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chapel Hill : The University of North Carolina Press, 2011.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a McAllister, Marvin Edward,  |d 1969-  |1 https://id.oclc.org/worldcat/entity/E39PCjDfHqDpqc76w9rYtBpF8C 
245 1 0 |a Whiting up :  |b whiteface minstrels & stage Europeans in African American performance /  |c Marvin McAllister. 
246 3 |a Whiting up : whiteface minstrels and stage Europeans in African American performance 
260 |a Chapel Hill :  |b The University of North Carolina Press,  |c 2011. 
300 |a 1 online resource (xiii, 330 pages) :  |b illustrations 
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520 |a In this work, McAllister defines and explores whiting up, a long tradition in which African American actors, comics, musicians, and even everyday people have assumed white racial identities in a performative context. Whether in 19th century minstrel shows, in stage European performances where black actors take on white roles on the conventional stage, in musicals and satires crafted by a variety of African American dramatists, or in one-person shows by artists like Anna Deavere Smith, McAllister argues that this form of cross-racial play creates unexpected intercultural alliances even as it inc. 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction : whiting up work -- Chapter 1. Liberatory whiteness : early whiteface minstrels, enslaved and free -- Chapter 2. Imitation whiteness : James Hewlett's stage Europeans -- Chapter 3. Low-down whiteness : a trip to coontown -- Chapter 4. Trespassing on whiteness : Negro actors and the Nordic complex -- Chapter 5. Estranging whiteness : queens, clowns, and beasts in 1960s Black drama -- Chapter 6. White people be like-- : Black solo and racial difference -- Conclusion : problems and possibilities of whiting up. 
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650 0 |a Minstrel shows  |z United States  |x History. 
650 0 |a African Americans in the performing arts  |x History. 
650 6 |a Spectacles de ménestrels (Théâtre américain)  |z États-Unis  |x Histoire. 
650 6 |a Noirs américains dans les arts du spectacle  |x Histoire. 
650 7 |a PERFORMING ARTS  |x Acting & Auditioning.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Ethnic Studies  |x African American Studies.  |2 bisacsh 
650 7 |a African Americans in the performing arts  |2 fast 
650 7 |a Minstrel shows  |2 fast 
651 7 |a United States  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 
655 7 |a History  |2 fast 
758 |i has work:  |a Whiting up (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCGYjG4RWW7HmrfQVwQx343  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Print version:  |a McAllister, Marvin.  |t Whiting Up : Whiteface Minstrels and Stage Europeans in African American Performance.  |d Chapel Hill : The University of North Carolina Press, ©2011  |z 9780807835081 
856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=819539  |z Texto completo 
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