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China on Film : a Century of Exploration, Confrontation, and Controversy.
Leading scholar Paul G. Pickowicz traces the dynamic history of Chinese filmmaking and its stunning development decade-by-decade since the 1920s. During the last one hundred years, China has been embroiled in a seemingly unending series of wars, revolutions, and jarring social transformations. Despi...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lanham :
Rowman & Littlefield Publishers,
2011.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Pickowicz, Paul. | |
| 245 | 1 | 0 | |a China on Film : |b a Century of Exploration, Confrontation, and Controversy. |
| 260 | |a Lanham : |b Rowman & Littlefield Publishers, |c 2011. | ||
| 300 | |a 1 online resource (377 pages) | ||
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| 505 | 0 | |a Acknowledgments; Introduction. The Sorrows and Joys of Chinese Filmmaking: Political and Personal Contexts; Chapter 1. Shanghai Twenties: Early Chinese Cinematic Explorations of the Modern Marriage; Chapter 2. The Theme of Spiritual Pollution in Chinese Films of the 1930s; Chapter 3. Melodramatic Representation and the May Fourth Tradition of Chinese Cinema; Chapter 4. Never-Ending Controversies: The Case of Remorse in Shanghai and Occupation-Era Chinese Filmmaking; Chapter 5. Victory as Defeat: Postwar Visualizations of China's War of Resistance. | |
| 505 | 8 | |a Chapter 6. Acting Like Revolutionaries: Shi Hui, the Wenhua Studio, and Private-Sector Filmmaking, 1949-1952Chapter 7. Zheng Junli, Complicity, and the Cultural History of Socialist China, 1949-1976; Chapter 8. The Limits of Cultural Thaw: Chinese Cinema in the Early 1960s; Chapter 9. Popular Cinema and Political Thought in Early Post-Mao China: Reflections on Official Pronouncements, Film, and the Film Audience; Chapter 10. On the Eve of Tiananmen: Huang Jianxin and the Notion of Postsocialism. | |
| 505 | 8 | |a Chapter 11. Velvet Prisons and the Political Economy of Chinese Filmmaking in the Late 1980s and Early 1990sChapter 12. Social and Political Dynamics of Underground Filmmaking in Early Twenty-First-Century China; Additional Work on Chinese Cinema by Paul G. Pickowicz; Index; About the Author. | |
| 520 | |a Leading scholar Paul G. Pickowicz traces the dynamic history of Chinese filmmaking and its stunning development decade-by-decade since the 1920s. During the last one hundred years, China has been embroiled in a seemingly unending series of wars, revolutions, and jarring social transformations. Despite daunting censorship obstacles, Chinese filmmakers have found ingenious ways of taking poli. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
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| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Motion picture industry |z China |x History |y 20th century. | |
| 650 | 0 | |a Motion pictures |x Political aspects |z China |x History |y 20th century. | |
| 650 | 0 | |a Motion pictures |x Social aspects |z China |x History |y 20th century. | |
| 651 | 0 | |a China |x In motion pictures. | |
| 650 | 6 | |a Cinéma |x Industrie |z Chine |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Cinéma |x Aspect social |z Chine |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Cinéma |x Aspect politique |z Chine |x Histoire |y 20e siècle. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
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| 650 | 7 | |a Motion pictures |2 fast | |
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| 650 | 7 | |a Motion pictures |x Social aspects |2 fast | |
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