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|a Structure and improvisation in creative teaching /
|c [edited by] R. Keith Sawyer.
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|a Cambridge ;
|a New York :
|b Cambridge University Press,
|c 2011.
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|a 1 online resource (xvi, 301 pages) :
|b illustrations
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|a Includes bibliographical references and index.
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0 |
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|t What makes good teachers great? : the artful balance of structure and improvisation /
|r R. Keith Sawyer --
|t Professional improvisation and teacher education : opening the conversation /
|r Stacy DeZutter --
|t Creativity, pedagogic partnerships, and the improvisatory space of teaching /
|r Pamela Burnard --
|t Improvising within the system : creating new teacher performances in inner city schools /
|r Carrie Lobman --
|t Teaching for creativity with disciplined improvisation /
|r Ronald A. Beghetto,
|r James C. Kaufman --
|t Taking advantage of structure to improvise in instruction : examples from elementary school classrooms /
|r Frederick Erickson --
|t Breaking through the communicative cocoon : improvisation in secondary school foreign language classrooms /
|r Jürgen Kurtz --
|t Improvising with adult English language learners /
|r Anthony Perone --
|t Productive improvisation and collective creativity : lessons from the dance studio /
|r Janice E. Fournier --
|t How 'scripted' materials might support improvisational teaching : insights from the implementation of a reading comprehension curriculum /
|r Annette Sassi --
|t Disciplined improvisation to extend young children's scientific thinking /
|r A. Susan Jurow,
|r Laura Creighton --
|t Improvisational understanding in the mathematics classroom /
|r Lyndon C. Martin,
|r Jo Towers --
|g Conclusion :
|t Presence and the art of improvisational teaching /
|r Lisa Barker,
|r Hilda Borko.
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|a "With an increasing emphasis on creativity and innovation in the twenty-first century, teachers need to be creative professionals just as students must learn to be creative. And yet, schools are institutions with many important structures and guidelines that teachers must follow. Effective creative teaching strikes a delicate balance between structure and improvisation. The authors draw on studies of jazz, theater improvisation, and dance improvisation to demonstrate that the most creative performers work within similar structures and guidelines. By looking to these creative genres, the book provides practical advice for teachers who wish to become more creative professionals"--
|c Provided by publisher
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|a Print version record.
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|a English.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Student-centered learning.
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650 |
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|a Active learning.
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650 |
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|a Creative teaching.
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650 |
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|a Motivation in education.
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650 |
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|a Enseignement axé sur l'apprenant.
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650 |
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|a Apprentissage par l'action.
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650 |
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|a Enseignement créatif.
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650 |
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|a Motivation en éducation.
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650 |
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|a PSYCHOLOGY
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|a EDUCATION
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|a Creative teaching
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|a Student-centered learning
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|a Sawyer, R. Keith
|q (Robert Keith)
|1 https://id.oclc.org/worldcat/entity/E39PBJgMFggbVJ47fwRYfDq4v3
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|i has work:
|a Structure and improvisation in creative teaching (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGR87xPjhfGgtqQcgDxFKd
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|t Structure and improvisation in creative teaching.
|d Cambridge ; New York : Cambridge University Press, 2011
|z 9780521762519
|w (DLC) 2011010351
|w (OCoLC)708243772
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