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General consent in Jane Austen : a study of dialogism /
"Readings of Jane Austen tend to be polarized: she is seen either as conformist - the prevalent view - or quietly subversive. In General Consent in Jane Austen Barbara Seeber overcomes this critical stalemate, arguing that general consent does not exist as a given in Austen's texts. Instea...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Montreal ; Ithaca [NY] :
McGill-Queen's University Press,
©2000.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- "I see every thing
- as you can desire me to do" : the scolding and schooling of Marianne Dashwood in Sense and sensibility
- " Exactly the something which her home required" : the "unmerited punishment of Harriet Smith in Emma
- "A corrupted, vitiated mind" : the decline of Mary Crawford in Mansfield Park
- "You are never sure of a good impression being durable" : the fall of Louisa Musgrove in Persuasion
- "An itch for acting" : Playing with Polyphony in Mansfied Park
- "Surely this comparison must have its use" : the "very strong resemblance" in Sense and sensibility
- "My expressions startle you" : an "injured, angry woman" in Persuasion
- "We must forget it" : the "unhappy truth" in Pride and prejudice
- "No tread of violence was ever heard" : Silent suffering in Mansfield Park
- "Unnatural and overdrawn" : "Alarming violence" in Northanger Abbey
- "This ill-used girl, this heroine of distress" : the "diabolical scheme" in Lady Susan.