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General consent in Jane Austen : a study of dialogism /

"Readings of Jane Austen tend to be polarized: she is seen either as conformist - the prevalent view - or quietly subversive. In General Consent in Jane Austen Barbara Seeber overcomes this critical stalemate, arguing that general consent does not exist as a given in Austen's texts. Instea...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Seeber, Barbara Karolina, 1968- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Montreal ; Ithaca [NY] : McGill-Queen's University Press, ©2000.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Seeber, Barbara Karolina,  |d 1968-  |e author.  |1 https://id.oclc.org/worldcat/entity/E39PCjDT9GBpVxTJFr3DvTfrdP 
245 1 0 |a General consent in Jane Austen :  |b a study of dialogism /  |c Barbara K. Seeber. 
260 |a Montreal ;  |a Ithaca [NY] :  |b McGill-Queen's University Press,  |c ©2000. 
300 |a 1 online resource (x, 160 pages) 
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504 |a Includes bibliographical references (pages 143-153) and index. 
505 0 |a "I see every thing -- as you can desire me to do" : the scolding and schooling of Marianne Dashwood in Sense and sensibility -- " Exactly the something which her home required" : the "unmerited punishment of Harriet Smith in Emma -- "A corrupted, vitiated mind" : the decline of Mary Crawford in Mansfield Park -- "You are never sure of a good impression being durable" : the fall of Louisa Musgrove in Persuasion -- "An itch for acting" : Playing with Polyphony in Mansfied Park -- "Surely this comparison must have its use" : the "very strong resemblance" in Sense and sensibility -- "My expressions startle you" : an "injured, angry woman" in Persuasion -- "We must forget it" : the "unhappy truth" in Pride and prejudice -- "No tread of violence was ever heard" : Silent suffering in Mansfield Park -- "Unnatural and overdrawn" : "Alarming violence" in Northanger Abbey -- "This ill-used girl, this heroine of distress" : the "diabolical scheme" in Lady Susan. 
520 1 |a "Readings of Jane Austen tend to be polarized: she is seen either as conformist - the prevalent view - or quietly subversive. In General Consent in Jane Austen Barbara Seeber overcomes this critical stalemate, arguing that general consent does not exist as a given in Austen's texts. Instead, her texts reveal the process of manufacturing consent - of achieving ideological dominance by silencing dissent. Drawing on the theories of Mikhail Bakhtin, Seeber interrogates academic and popular constructions of Jane Austen, opening up Austen's "unresolvable dialogues.""--Jacket 
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600 1 0 |a Austen, Jane,  |d 1775-1817  |x Political and social views. 
600 1 6 |a Austen, Jane,  |d 1775-1817  |x Critique et interprétation. 
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650 0 |a Consensus (Social sciences) in literature. 
650 0 |a Dialogism (Literary analysis) 
650 6 |a Dialogisme. 
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650 7 |a FICTION  |x General.  |2 bisacsh 
650 7 |a Consensus (Social sciences) in literature  |2 fast 
650 7 |a Dialogism (Literary analysis)  |2 fast 
650 7 |a Political and social views  |2 fast 
650 7 |a Roman  |2 gnd 
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