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Wired for Sound : Engineering and Technologies in Sonic Cultures.
Ethnographically-grounded studies of technology in global music.
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Middletown :
Wesleyan University Press,
2010.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Acknowledgments; CHAPTER ONE: Introduction: Wired Sound and Sonic Cultures; CHAPTER TWO: Reaching "Overseas": South African Sound Engineers, Technology, and Tradition; CHAPTER THREE: "The Disc Is Not the Avenue": Schismogenetic Mimesis in Samba Recording; CHAPTER FOUR: Nigel Pegrum, "Didjeridu-Friendly Sections," and What Constitutes an "Indigenous" CD: An Australian Case Study of Producing "World Music" Recordings; CHAPTER FIVE: Music Mediated as Live in Austin: Sound, Technology, and Recording Practice.
- CHAPTER SIX: Media as Social Action: Native American Musicians in the Recording StudioCHAPTER SEVEN: Engineering Techno-Hybrid Grooves in Two Indonesian Sound Studios; CHAPTER EIGHT: Short-Circuiting Perceptual Systems: Timbre in Ambient and Techno Music; CHAPTER NINE: "Heaviness" in the Perception of Heavy Metal Guitar Timbres: The Match of Perceptual and Acoustic Features over Time; CHAPTER TEN: Mixed Messages: Unsettled Cosmopolitanisms in Nepali Pop; CHAPTER ELEVEN: The Soundscape of the Radio: Engineering Modern Songs and Superculture in Nepal.
- CHAPTER TWELVE: Music and the Rise of Radio in Twenties America: Technological Imperialism, Socialization, and the Transformation of IntimacyCHAPTER THIRTEEN: Afterword; List of Contributors; Index.