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111205s2010 xx o 000 0 eng d |
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|a EBLCP
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|a 9780819565167
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|a 0819565164
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|a DEBBG
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|a (OCoLC)767498567
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|a ML3545 .W57 2010
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|a 780.905
|a 780/.9/05
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|a UAMI
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|a Greene, Paul D.
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|a Wired for Sound :
|b Engineering and Technologies in Sonic Cultures.
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|a Middletown :
|b Wesleyan University Press,
|c 2010.
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|a 1 online resource (301 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
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|a online resource
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|a Acknowledgments; CHAPTER ONE: Introduction: Wired Sound and Sonic Cultures; CHAPTER TWO: Reaching "Overseas": South African Sound Engineers, Technology, and Tradition; CHAPTER THREE: "The Disc Is Not the Avenue": Schismogenetic Mimesis in Samba Recording; CHAPTER FOUR: Nigel Pegrum, "Didjeridu-Friendly Sections," and What Constitutes an "Indigenous" CD: An Australian Case Study of Producing "World Music" Recordings; CHAPTER FIVE: Music Mediated as Live in Austin: Sound, Technology, and Recording Practice.
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|a CHAPTER SIX: Media as Social Action: Native American Musicians in the Recording StudioCHAPTER SEVEN: Engineering Techno-Hybrid Grooves in Two Indonesian Sound Studios; CHAPTER EIGHT: Short-Circuiting Perceptual Systems: Timbre in Ambient and Techno Music; CHAPTER NINE: "Heaviness" in the Perception of Heavy Metal Guitar Timbres: The Match of Perceptual and Acoustic Features over Time; CHAPTER TEN: Mixed Messages: Unsettled Cosmopolitanisms in Nepali Pop; CHAPTER ELEVEN: The Soundscape of the Radio: Engineering Modern Songs and Superculture in Nepal.
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|a CHAPTER TWELVE: Music and the Rise of Radio in Twenties America: Technological Imperialism, Socialization, and the Transformation of IntimacyCHAPTER THIRTEEN: Afterword; List of Contributors; Index.
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|a Ethnographically-grounded studies of technology in global music.
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|a Print version record.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Ethnomusicology.
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650 |
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|a Sound
|x Recording and reproducing.
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650 |
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|a World music
|x History and criticism.
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650 |
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|a Ethnomusicologie.
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650 |
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|a Son
|x Enregistrement et reproduction.
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|a Musiques du monde
|x Histoire et critique.
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650 |
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|a ethnomusicology.
|2 aat
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650 |
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|a Ethnomusicology
|2 fast
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650 |
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|a Sound
|x Recording and reproducing
|2 fast
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650 |
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7 |
|a World music
|2 fast
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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700 |
1 |
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|a Porcello, Thomas.
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776 |
0 |
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|i Print version:
|a Greene, Paul D.
|t Wired for Sound : Engineering and Technologies in Sonic Cultures.
|d Middletown : Wesleyan University Press, ©2010
|z 9780819565167
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856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=776824
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL776824
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994 |
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|a 92
|b IZTAP
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