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The Routledge international handbook of creative learning /

The concept of creative learning extends far beyond Arts-based learning or the development of individual creativity. It covers a range of processes and initiatives throughout the world that share common values, systems and practices aimed at making learning more creative. This applies at individual,...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Sefton-Green, Julian, Thomson, Pat, Jones, Ken, Bresler, Liora
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Abingdon, Oxon ; N.Y. : Routledge, ©2011.
Hoboken : Taylor & Francis, 2011.
Colección:Routledge international handbooks series.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 4 |a The Routledge international handbook of creative learning /  |c edited by Julian Sefton-Green [and others]. 
260 |a Abingdon, Oxon ;  |a N.Y. :  |b Routledge,  |c ©2011. 
260 |a Hoboken :  |b Taylor & Francis,  |c 2011. 
300 |a 1 online resource (xxiii, 478 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a The Routledge international handbooks series 
504 |a Includes bibliographical references and index. 
505 0 |a Cover; The Routledge International Handbook of Creative Learning; Copyright; Contents; List of Illustrations; Acknowledgements; Notes on contributors; 1 Introduction; PART I Theories and histories: creative learning and its contexts; 2 Capitalism, creativity and learning: some chapters in a relationship; 3 The 'transformative power' of the arts: history of an idea; 4 Mapping the rhetorics of creativity; 5 Creativity of formulaic learning: pedagogy of imitation and repetition; 6 Creativity and the arts in Chinese societies; 7 Psychological research on creativity. 
505 8 |a 8 The cult of creativity: opposition, incorporation, transformation9 Democratic creativity; 10 Creativity, creative class, smart power, social reproduction and symbolic violence; 11 Creativity, the arts and the renewal of culture; 12 'Creativity' and its others: the ongoing project of definition, debate and demonstration; PART II Creativity, the arts and schools; 13 Arts in schools as a change model: education for the arts and aesthetic experience; 14 Approaches to creativity in education in the United Kingdom; 15 Constructing assessment for creative learning. 
505 8 |a 16 Approaches to promoting creativity in Chinese, Japanese and US preschools17 Contemporary aesthetic theory and models of creativity in visual arts education in the United States; 18 Drama as creative learning; 19 Learning in and through the arts; PART III Creative curriculum and pedagogy; 20 Curriculum integration and the disciplines of knowledge; 21 Ways of knowing and teaching: how teachers create valuable learning opportunities (pedagogical capital) by making knowledge the means and not just the ends in classrooms. 
505 8 |a 22 English for an era of instability: aesthetics, ethics, creativity and design 23 Room 13 and the contemporary practice of artist-learners; 24 The relationship between creativity and Studio Thinking; 25 The gallery as a site for creative learning; 26 Creative digital cultures: informal learning beyond the school; 27 Redesigning school spaces: creating possibilities for learning; 28 Creative pedagogies and the contemporary school classroom; 29 'Real audience pedagogy': creative learning and digital space. 
505 8 |a 30 Reconciliation pedagogy, identity and community funds of knowledge:borderwork in South African classrooms 31 Miners, diggers, ferals and show-men: creative school-community projects; 32 Alternatives in student assessment: the Cultural Competency Record (CCR); 33 Judgement, authority and legitimacy: evaluating creative learning; 34 Creative learning; PART IV Creative school and system change; 35 Twenty-first century skills are on Mercury: learning, life and school reform; Part IV Editorial comment: Capacity building; Part IV Editorial comment: Whole school change; Part IV Conclusion: The importance of pedagogicaly focused leadership. 
520 |a The concept of creative learning extends far beyond Arts-based learning or the development of individual creativity. It covers a range of processes and initiatives throughout the world that share common values, systems and practices aimed at making learning more creative. This applies at individual, classroom, or whole school level, always with the aim of fully realising young people's potential. Until now there has been no single text bringing together the significant literature that explores the dimensions of creative learning, despite the work of artists in schools and the development of a cadre of creative teaching and learning specialists. Containing a mixture of newly commissioned chapters, reprints and updated versions of previous publications, this book brings together major theorists and current research. 
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650 0 |a Creative thinking  |v Handbooks, manuals, etc. 
650 0 |a Creative ability  |v Handbooks, manuals, etc. 
650 6 |a Créativité  |v Guides, manuels, etc. 
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650 7 |a Creative ability  |2 fast 
650 7 |a Creative thinking  |2 fast 
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655 7 |a handbooks.  |2 aat 
655 7 |a Handbooks and manuals  |2 fast 
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700 1 |a Sefton-Green, Julian. 
700 1 |a Thomson, Pat. 
700 1 |a Jones, Ken. 
700 1 |a Bresler, Liora. 
758 |i has work:  |a The Routledge international handbook of creative learning (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCGChG6XxfHcBbrT4rWgWKq  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Print version:  |t Routledge international handbook of creative learning.  |d Abingdon, Oxon ; N.Y. : Routledge, ©2011  |z 9780415548892  |w (DLC) 2010053787  |w (OCoLC)694509784 
830 0 |a Routledge international handbooks series. 
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