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Berlin cabaret /
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, Mass. :
Harvard University Press,
1993.
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| Colección: | Studies in cultural history.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Preface
- Contents
- Introduction
- 1. Cabaret as Metropolitan Montage
- Berlin: Cosmopolitan Life, Consumerism, and Montage
- Variety Shows and Nietzschean Vitalism
- Berlin Wit: Laughter and Censorship
- 2. Between Elitism and Entertainment: Wolzogen�s Motley Theater
- The Premiere of the Motley Theater
- Critics and Competitors
- New Theater, Rapid Demise
- 3. From Artistic Parody to Theatrical Renewal: Reinhardt�s Sound and Smoke
- Theatrical Parody for Connoisseurs
- A Temporary Turn to Political Satire: Serenissimus
- The Path to a New Theatricality4. Cosmopolitan Diversions, Metropolitan Identities
- Policing the Pub-Cabarets
- Two Sides of Metropolitan Cabaret: Rudolf Nelson and Claire Waldoff
- Fashioning Berlin: The Metropol Revues
- 5. Political Satire in the Early Weimar Republic
- Nationalism in Wartime and Postwar Entertainment
- Limitations of Republican Satire: Kurt Tucholsky
- Dada and Metropolitan Tempo: Walter Mehring
- 6. The Weimar Revue
- The Americanization of Entertainment: Jazz and Black Performers
- “Girls and Crisis�
- 7. Political Cabaret at the End of the RepublicThe Politics of Revues and Cabaret-Revues
- Cabaret and the Crises of the Late Republic
- Red Revues and Agitprop
- 8. Cabaret under National Socialism
- The Suppression of Critical Cabaret
- From “Positive Cabaret� to Total Depoliticization
- Only the “Girls� Remain
- Epilogue: Cabaret in Concentration Camps
- Notes
- Index