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Tippett Studies.

This book covers all of Tippett's style-periods and many of the key genres within his oeuvre.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Clarke, David (David Ian)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge : Cambridge University Press, 1999.
Colección:Cambridge composer studies.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Cover; Half-title; Title; Copyright; Dedication; Contents; Preface; References to Tippett's scores and essays; 1 'Only half rebelling': tonal strategies, folksong and 'Englishness' in Tippett's Concerto for Double String Orchestra; I; II; III; IV; 2 From pastiche to free composition: R.O. Morris, Tippett, and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli; I; II; III; IV; 3 'Is there a choice at all?'King Priam and motives for analysis; I; II; III; IV; V. 
505 8 |a 4 Tippett's Second Symphony, Stravinsky and the language of neoclassicism: towards a critical frameworkI; II; III; 5 Tippett, sequence and metaphor; 6 Tonal elements and their significance in Tippett's Sonata No. 3 for Piano; I; II; III; IV; V; VI; 7 'Significant gestures to the past': formal processes and visionary moments in Tippett's Triple Concerto; I; II; III; 8 Tippett's King Priam and 'the tragic vision'; I; II; III; IV; 9 Tippett at the millennium: a personal memoir; 10 Decline or renewal in late Tippett? The Fifth String Quartet in perspective; I; II; III; IV; V. 
505 8 |a Appendix: glossary of terms used in pitch-class set theoryIndex. 
520 |a This book covers all of Tippett's style-periods and many of the key genres within his oeuvre. 
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