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|a Clarke, David
|q (David Ian)
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|a Tippett Studies.
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|a Cambridge :
|b Cambridge University Press,
|c 1999.
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|a 1 online resource (250 pages)
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|a Cambridge Composer Studies
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|a Cover; Half-title; Title; Copyright; Dedication; Contents; Preface; References to Tippett's scores and essays; 1 'Only half rebelling': tonal strategies, folksong and 'Englishness' in Tippett's Concerto for Double String Orchestra; I; II; III; IV; 2 From pastiche to free composition: R.O. Morris, Tippett, and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli; I; II; III; IV; 3 'Is there a choice at all?'King Priam and motives for analysis; I; II; III; IV; V.
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|a 4 Tippett's Second Symphony, Stravinsky and the language of neoclassicism: towards a critical frameworkI; II; III; 5 Tippett, sequence and metaphor; 6 Tonal elements and their significance in Tippett's Sonata No. 3 for Piano; I; II; III; IV; V; VI; 7 'Significant gestures to the past': formal processes and visionary moments in Tippett's Triple Concerto; I; II; III; 8 Tippett's King Priam and 'the tragic vision'; I; II; III; IV; 9 Tippett at the millennium: a personal memoir; 10 Decline or renewal in late Tippett? The Fifth String Quartet in perspective; I; II; III; IV; V.
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|a Appendix: glossary of terms used in pitch-class set theoryIndex.
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|a This book covers all of Tippett's style-periods and many of the key genres within his oeuvre.
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588 |
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|a Print version record.
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546 |
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|a English.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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600 |
1 |
0 |
|a Tippett, Michael,
|d 1905-1998
|x Criticism and interpretation.
|
600 |
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|a Tippett, Michael,
|d 1905-1998
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|1 https://id.oclc.org/worldcat/entity/E39PBJckJQwMYGGxtcTvHkJCcP
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|a Electronic resource.
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|
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|a Criticism, interpretation, etc.
|2 fast
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776 |
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|i Print version:
|a Clarke, David.
|t Tippett Studies.
|d Cambridge : Cambridge University Press, ©1999
|z 9780521592055
|
830 |
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|a Cambridge composer studies.
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856 |
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|z Texto completo
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