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Music, Masculinity and the Claims of History : the Austro-German Tradition from Hegel to Freud.
What does it mean to think of Western Art music - and the Austro-German contribution to that repertory - as a tradition? How are men and masculinities implicated in the shaping of that tradition? And how is the writing of the history (or histories) of that tradition shaped by men and masculinities?...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Farnham :
Ashgate Pub.,
2011.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
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| 003 | OCoLC | ||
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| 100 | 1 | |a Biddle, Ian D. | |
| 245 | 1 | 0 | |a Music, Masculinity and the Claims of History : |b the Austro-German Tradition from Hegel to Freud. |
| 260 | |a Farnham : |b Ashgate Pub., |c 2011. | ||
| 300 | |a 1 online resource (245 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Cover; Contents; List of Figures; Introduction; 1 Discourse Channels: Listening as a Cultural-Historical Category in the Austro-German Frühromantik; 3 Rage Against the Rabble: Gender Nostalgia and the Metropolitan Imagination in Heinrich Schenker's Kontrapunkt (1910 and 1922); 4 Song of the Body: Mahler, Kafka and the Male Jewish Body at the Habsburg fin de siècle; 5 Postlude; Bibliography; Index. | |
| 520 | |a What does it mean to think of Western Art music - and the Austro-German contribution to that repertory - as a tradition? How are men and masculinities implicated in the shaping of that tradition? And how is the writing of the history (or histories) of that tradition shaped by men and masculinities? This book seeks to answer these and other questions. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Music |z Europe, German-speaking |y 19th century |x History and criticism. | |
| 650 | 0 | |a Music |z Europe, German-speaking |y 20th century |x History and criticism. | |
| 650 | 0 | |a Masculinity in music. | |
| 650 | 6 | |a Musique |z Germanophonie |y 19e siècle |x Histoire et critique. | |
| 650 | 6 | |a Masculinité dans la musique. | |
| 650 | 7 | |a Masculinity in music |2 fast | |
| 650 | 7 | |a Music |2 fast | |
| 651 | 7 | |a German-speaking Europe |2 fast | |
| 648 | 7 | |a 1800-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Music, masculinity and the claims of history (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH38JY7Ty7R7kCbF4TWGpd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Biddle, Ian. |t Music, Masculinity and the Claims of History : The Austro-German Tradition from Hegel to Freud. |d Farnham : Ashgate Publishing Ltd, ©2011 |z 9781409420958 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=762278 |z Texto completo |
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