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Traumatic possessions : the body and memory in African American women's writing and performance /

Griffiths (English, New York Institute of Technology, Manhattan) looks at how African American writers and playwrights have explored ruptures in memory after a traumatic experience and attempted to develop creative strategies for understanding the inscription of trauma on the body in a racialized cu...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Griffiths, Jennifer L., 1968-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Charlottesville : University of Virginia Press, 2009.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Griffiths, Jennifer L.,  |d 1968-  |1 https://id.oclc.org/worldcat/entity/E39PCjDVBRXtQPP6DwTQb8Q7RC 
245 1 0 |a Traumatic possessions :  |b the body and memory in African American women's writing and performance /  |c Jennifer L. Griffiths. 
260 |a Charlottesville :  |b University of Virginia Press,  |c 2009. 
300 |a 1 online resource (x, 134 pages) 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references (pages 121-129) and index. 
505 0 |a "The quick gasp of sympathy": trauma and interracial witnessing in Sherley Anne Williams's Dessa Rose -- Betrayal trauma and the test of complicity in Suzan-Lori Parks's Venus -- Between women: trauma, witnessing, and the legacy of interracial rape in Robbie Mccauley's Sally's rape -- Uncanny spaces: trauma, cultural memory, and female body in Gayl Jones's Corregidora -- "I have never seen a movie like that": traumatic memory and the "acceleration of history" in Anna Deavere Smith's Twilight: Los Angeles, 1992. 
588 0 |a Print version record. 
520 |a Griffiths (English, New York Institute of Technology, Manhattan) looks at how African American writers and playwrights have explored ruptures in memory after a traumatic experience and attempted to develop creative strategies for understanding the inscription of trauma on the body in a racialized cultural context. By examining several literary and performance texts, the author shows how the self is reconstituted through testimony--the putting into language and public statement the struggle of survivors to negotiate the limits placed on their bodies and speak controversial truths. By focusing on the relation of trauma to race and on the influence of racism on the creation and reception of narrative testimony, Griffiths' book distinguishes itself from other studies of the literatures of trauma. Annotation ♭2010 Book News, Inc., Portland, OR (booknews.com). 
546 |a English. 
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650 0 |a American literature  |x African American authors  |x History and criticism. 
650 0 |a American literature  |x Women authors  |x History and criticism. 
650 0 |a Psychic trauma in literature. 
650 0 |a Human body in literature. 
650 0 |a Memory in literature. 
650 0 |a African American women in literature. 
650 6 |a Écrits de femmes américains  |x Histoire et critique. 
650 6 |a Traumatisme psychique dans la littérature. 
650 6 |a Corps humain dans la littérature. 
650 6 |a Mémoire dans la littérature. 
650 7 |a LITERARY CRITICISM  |x American  |x General.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x American  |x African American.  |2 bisacsh 
650 7 |a African American women in literature  |2 fast 
650 7 |a American literature  |x African American authors  |2 fast 
650 7 |a American literature  |x Women authors  |2 fast 
650 7 |a Human body in literature  |2 fast 
650 7 |a Memory in literature  |2 fast 
650 7 |a Psychic trauma in literature  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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776 0 8 |i Print version:  |a Griffiths, Jennifer L., 1968-  |t Traumatic possessions.  |d Charlottesville : University of Virginia Press, 2009  |z 9780813928838  |w (DLC) 2009023626  |w (OCoLC)391412715 
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