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The Films of Stan Brakhage in the American Tradition of Ezra Pound, Gertrude Stein and Charles Olson.

Since the late 1950s Stan Brakhage has been in the forefront of independent filmmaking. His body of work -- some seventy hours -- is one of the largest of any filmmaker in the history of cinema, and one of the most diverse. Probably the most widely quoted experimental filmmaker in history, his films...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Elder, R. Bruce
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Waterloo : Wilfrid Laurier University Press, 2006.
Temas:
Acceso en línea:Texto completo

MARC

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520 |a Since the late 1950s Stan Brakhage has been in the forefront of independent filmmaking. His body of work -- some seventy hours -- is one of the largest of any filmmaker in the history of cinema, and one of the most diverse. Probably the most widely quoted experimental filmmaker in history, his films typify the independent cinema. Until now, despite well-deserved acclaim, there has been no comprehensive study of Brakhage's oeuvre. The Films of Stan Brakhage in the American Tradition fills this void. R. Bruce Elder delineates the aesthetic parallels between Brakhage's films and a broad spectrum. 
505 0 |a With Gratitude; Acknowledgments; Preface; Chapter 1. Four for America: Williams, Pound, Stein, Brakhage; Chapter 2. The Conception of the Body in Open Form Poetics and Its Influence on Stan Brakhage's Filmmaking; Glossary; Notes; Selected Bibliography; Stan Brakhage Filmography; Index. 
588 0 |a Print version record. 
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600 1 0 |a Brakhage, Stan  |x Criticism and interpretation. 
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776 0 8 |i Print version:  |a Elder, R. Bruce.  |t Films of Stan Brakhage in the American Tradition of Ezra Pound, Gertrude Stein and Charles Olson.  |d Waterloo : Wilfrid Laurier University Press, ©2006  |z 9780889202757 
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