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Music video and the politics of representation /

How can we engage critically with music video and its role in popular culture? What do contemporary music videos have to tell us about patterns of cultural identity today? Based around an eclectic series of vivid case studies, this fresh and timely examination is an entertaining and enlightening ana...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Railton, Diane
Otros Autores: Watson, Paul, 1972-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, [2011]
Colección:Music and the moving image.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Music video and the politics of representation /  |c Diane Railton and Paul Watson. 
264 1 |a Edinburgh :  |b Edinburgh University Press,  |c [2011] 
264 4 |c ©2011 
300 |a 1 online resource (vii, 176 pages) 
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490 1 |a Music and the moving image 
504 |a Includes bibliographical references (pages 150-162) and index. 
505 0 |a Acknowledgements -- Introduction: The Kleenexes of popular culture? -- Part I Towards a critical vocabulary : 1. Situating music video: between feminism and popular culture -- 2. Genre and music video: configurations and functions -- 3. Making it real: authorship and authenticity -- Part II Sexed, raced and gendered identity in music video : 4. Music video in black and white: race and femininity -- 5. That Latin(a) look: performing ethnicity -- 6. Masculinity and the absent presence of the male body -- Afterword: Music video goes Gaga -- Bibliography -- Index. 
588 0 |a Print version record. 
520 |a How can we engage critically with music video and its role in popular culture? What do contemporary music videos have to tell us about patterns of cultural identity today? Based around an eclectic series of vivid case studies, this fresh and timely examination is an entertaining and enlightening analysis of the forms, pleasures, and politics that music videos offer. In rethinking some classic approaches from film studies and popular music studies and connecting them with new debates about the current 'state' of feminism and feminist theory, Railton and Watson show why and how we should be studying music videos in the twenty-first century. Through its thorough overview of the music video as a visual medium, this is an ideal textbook for Media Studies students and all those with an interest in popular music and cultural studies. Key Features Provides a framework for how to describe and analyse a music video. Uses case studies from internationally well-know artists, such as Kylie, Shakira and BeyoncÃ♭ to explore issues of representation of gender, sexuality and ethnicity. Draws on classic and contemporary videos from a range of musical styles, from Lady Gaga and Christina Aguilera to Gorillaz and Metallica. 
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650 0 |a Music videos  |x Social aspects. 
650 0 |a Music videos  |x History and criticism. 
650 0 |a Feminism and music. 
650 6 |a Vidéoclips  |x Aspect social. 
650 6 |a Vidéoclips  |x Histoire et critique. 
650 6 |a Féminisme et musique. 
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650 7 |a SOCIAL SCIENCE  |x Popular Culture.  |2 bisacsh 
650 7 |a MUSIC  |x Genres & Styles  |x Pop Vocal.  |2 bisacsh 
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650 7 |a Music videos  |2 fast 
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