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Music and Politics in San Francisco : From the 1906 Quake to the Second World War.
This lively history immerses the reader in San Francisco's musical life during the first half of the twentieth century, showing how a fractious community overcame virulent partisanship to establish cultural monuments such as the San Francisco Symphony (1911) and Opera (1923). Leta E. Miller dra...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
2011.
|
| Colección: | California studies in 20th-century music ;
13. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 1 | 0 | |a Music and Politics in San Francisco : |b From the 1906 Quake to the Second World War. |
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| 490 | 1 | |a California studies in 20th-century music ; |v 13 | |
| 520 | |a This lively history immerses the reader in San Francisco's musical life during the first half of the twentieth century, showing how a fractious community overcame virulent partisanship to establish cultural monuments such as the San Francisco Symphony (1911) and Opera (1923). Leta E. Miller draws on primary source material and first-hand knowledge of the music to argue that a utopian vision counterbalanced partisan interests and inspired cultural endeavors, including the San Francisco Conservatory, two world fairs, and America's first municipally owned opera house. Miller demonstrates that ram. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Contents; List of Illustrations; Acknowledgments; Abbreviations; 1. The Paris of the West: San Francisco at the Turn of the Century; Part One. From the Quake to the Crash; 2. The Politics of Class: The San Francisco Symphony, the People's Philharmonic, and the Lureof European Culture (1911 -- 1930); 3. The Politics of Race: Chinatown, Forbidden and Alluring; 4. The Politics of Labor: The Union(s), the Clubs and Theaters, and the Predicament of Black Musicians; 5. Musical Utopias: Ada Clement, Ernest Bloch, and the San Francisco Conservatory. | |
| 505 | 8 | |a 6. Opera: The People's Music or a Diversion for the Rich?Part Two. The Depression and Beyond; 7. The Despair of the Depression and the Clash of Race; 8. Ultramodernism and Other Contemporary Offerings: Looking West, Challenging the East; 9. The Politics of Work: Idealism Confronts Bureaucracy in the Federal Music Project; 10. Welcoming the World: San Francisco's Fairs of 1915 and 1939 -- 1940; 11. Aftermath; Notes; References; Index. | |
| 504 | |a Includes bibliographical references (pages 315-341) and index. | ||
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| 650 | 0 | |a Music |x Political aspects |z California |z San Francisco |x History |y 20th century. | |
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| 776 | 0 | 8 | |i Print version: |a Miller, Leta E. |t Music and Politics in San Francisco : From the 1906 Quake to the Second World War. |d Berkeley : University of California Press, ©2011 |z 9780520268913 |
| 830 | 0 | |a California studies in 20th-century music ; |v 13. | |
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