Cargando…
A Body of Vision : Representations of the Body in Recent Film and Poetry.
Elder examines how artists such as Brakhage, Artaud, Schneemann, Cohen and others have tried to recognise and to convey primordial forms of experiences. He argues that the attempt to convey these primordial modes of awareness demands a different conception of artistic meaning from any of those that...
| Clasificación: | Libro Electrónico |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Wilfrid Laurier University Press
1997.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000M 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn748542908 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr un|---uuuuu | ||
| 008 | 110613s1997 xx ob 000 0 eng d | ||
| 040 | |a IDEBK |b eng |e pn |c IDEBK |d OCLCQ |d EBLCP |d OCLCQ |d COCUF |d OCLCO |d OCLCF |d CSAIL |d MERUC |d MOR |d VT2 |d OTZ |d PIFBR |d ZCU |d OCLCQ |d MUQ |d U3W |d STF |d WRM |d OCLCQ |d CEF |d NRAMU |d ICG |d OCLCQ |d WYU |d YOU |d TKN |d AGLDB |d K6U |d DKC |d AU@ |d CNTRU |d OCLCQ |d OCL |d OCLCQ |d SFB |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 016 | |z 969319827 | ||
| 019 | |a 814501610 | ||
| 020 | |a 1280925183 | ||
| 020 | |a 9781280925184 | ||
| 020 | |a 0889208182 | ||
| 020 | |a 9780889208186 | ||
| 020 | |z 0889202761 | ||
| 020 | |z 9780889203280 | ||
| 029 | 1 | |a DEBBG |b BV044093227 | |
| 035 | |a (OCoLC)748542908 |z (OCoLC)814501610 | ||
| 050 | 4 | |a PN1995.9 | |
| 055 | 0 | 2 | |a PN1995.9* |
| 072 | 7 | |a ATKA |2 bicssc | |
| 082 | 0 | 4 | |a 791.4363 |
| 049 | |a UAMI | ||
| 245 | 0 | 2 | |a A Body of Vision : |b Representations of the Body in Recent Film and Poetry. |
| 260 | |b Wilfrid Laurier University Press |c 1997. | ||
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Cover -- Contents -- With Gratitude -- Acknowledgments -- Introduction -- The Human Dilemma -- The Anxious Body of Shame44; Disgust44; or Appalling Death58; Films by Bruce Conner -- The Troubling Body of Sexual Difference58; Williard Maas39;s58; The Geography of the Body -- The Complexities of Identification8212;Walter Gutman and the Body Remade as Whole -- The Body as Sacred8212;The Films of James Broughton44; Especially58; The Golden Positions -- The Body and the Cosmos8212;The Films of Ed Emshwiller -- First Digression58; The Theory of Transformation and Its Importance to Understanding the Uniqueness of Artistic Meaning -- Ed Emshwiller39;s Mixed Mode of Cinema Contrasted with the Lyrical Film -- The Body as the Universe in Stan Brakhage39;s Early Films -- The Body Electric58; Of Wilhelm Reich and Antonin Artaud8212;Laying the Groundwork for Carolee Schneemann39;s Body Art -- Second Digression58; A Mystical View of the Body under the Pervasive Influence of Gnosticism8212;Laying the Groundwork for Leonard Cohen39;s Writings on the Body and Carolee Schneemann39;s Films and Performances -- Leonard Cohen39;s Gnosticism and Its Influence on His Conception of the Body -- The Influence of Gnosticism on the Writings of Antonin Artaud -- The Body of Gnostic Energy in the Work of Carolee Schneemann -- The Body of Transcendental Flesh8212;The Films of James Herbert -- The Cognitive Body8212;The Films of Amy Greenfield and Another View of the Films of Stan Brakhage -- The Pneumatic Body8212;The Films of Andrew Noren -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z -- Last Page. | |
| 520 | |a Elder examines how artists such as Brakhage, Artaud, Schneemann, Cohen and others have tried to recognise and to convey primordial forms of experiences. He argues that the attempt to convey these primordial modes of awareness demands a different conception of artistic meaning from any of those that currently dominate contemporary critical discussion. By reworking theories and speech in highly original ways, Elder formulates this new conception. His remarks on the gaps in contemporary critical practices will likely become the focus of much debate. | ||
| 504 | |a Includes bibliographical references (pages 381-384). | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Human body in literature. | |
| 650 | 0 | |a Human body in motion pictures. | |
| 650 | 0 | |a Experimental films |x History and criticism. | |
| 650 | 6 | |a Corps humain au cinéma. | |
| 650 | 6 | |a Corps humain dans la littérature. | |
| 650 | 6 | |a Films expérimentaux |x Histoire et critique. | |
| 650 | 7 | |a Experimental films |2 fast | |
| 650 | 7 | |a Human body in literature |2 fast | |
| 650 | 7 | |a Human body in motion pictures |2 fast | |
| 655 | 4 | |a Electronic resource. | |
| 655 | 7 | |a e-books. |2 aat | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a Livres numériques. |2 rvmgf | |
| 720 | |a Elder, R. Bruce. | ||
| 758 | |i has work: |a A Body of Vision (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFM6VvF6RHyRJpMxYJxKJP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Body of Vision. |d Wilfrid Laurier University Press 1997 |w (DLC) 98162643 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3050293 |z Texto completo |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL3050293 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n 92518 | ||
| 994 | |a 92 |b IZTAP | ||