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The "I" and the "Eye" : the Verbal and the Visual in Post-Renaissance Western Aesthetics.

The paradigmatic moment of the opposition between the verbal and the visual arts may be seen in Lessingâs treatise on the Laocoén sculptural group, written in 1766; a moment that is identified within a historical framework of modern aesthetics that begins with Lessing; that goes through Pater; and...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Rath, Pragyan
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge Scholars Pub. 2011.
Temas:
Acceso en línea:Texto completo

MARC

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520 |a The paradigmatic moment of the opposition between the verbal and the visual arts may be seen in Lessingâs treatise on the Laocoén sculptural group, written in 1766; a moment that is identified within a historical framework of modern aesthetics that begins with Lessing; that goes through Pater; and then culminates in Greenberg. I delineate the opposition as a history of diffusions, displacements and idealist reparations of class division. From the vantage point of my argument, the reader can experience a watershed in a critical tradition that has emerged in Williams' The Long Revolution (1961), Culture (1963) and Keywords (1976); Thompson's Working Class (1963) and Customs (1993); Schweizer's Ut Pictura Poesis (1972); Berger's Theory (1984); Wellbery's Lessing's Laocoön (1984); Mitchell's Iconology (1986); Summers' Judgement of Sense (1987); Rancière's Nights of Labor (1989) and Politics (2007); Eagletonâs Ideology (1990); Jay's Downcast Eyes (1994); Kirby's Telling Flesh (1997); Barnard's Art (1998); Jameson's Postmodernism (1999); Edgar's Key Concepts (1999); Schoroederâs Visual Consumption (2002); Eldridge's Philosophy of Art (2003); Kelly's Iconoclasm (2003); Malshe's Aesthetics (2003); Hall's Subjectivity (2004); Stallabrass' Contemporary Art (2004); Heffernan's Museum (2004) and Cultivating Picturacy (2006); Szerszynski's Nature (2005); Cottington's Modern Art (2005); Day's Class (2007); Hawkes's Ideology (2007); Gillespie's Theological Origins (2008); and Crawford's Shop Class (2009). 
504 |a Includes bibliographical references (pages 254-268) and index. 
505 0 |a TABLE OF CONTENTS; LIST OF FIGURES; EXECUTIVE SUMMARY; PREFACE; ACKNOWLEDGEMENTS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; EPILOGUE; NOTES; APPENDICES; BIBLIOGRAPHY; INDEX. 
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650 0 |a Arts  |x Philosophy. 
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