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|a The "I" and the "Eye" :
|b the Verbal and the Visual in Post-Renaissance Western Aesthetics.
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|b Cambridge Scholars Pub.
|c 2011.
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|a 1 online resource (315)
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|a The paradigmatic moment of the opposition between the verbal and the visual arts may be seen in Lessingâs treatise on the Laocoén sculptural group, written in 1766; a moment that is identified within a historical framework of modern aesthetics that begins with Lessing; that goes through Pater; and then culminates in Greenberg. I delineate the opposition as a history of diffusions, displacements and idealist reparations of class division. From the vantage point of my argument, the reader can experience a watershed in a critical tradition that has emerged in Williams' The Long Revolution (1961), Culture (1963) and Keywords (1976); Thompson's Working Class (1963) and Customs (1993); Schweizer's Ut Pictura Poesis (1972); Berger's Theory (1984); Wellbery's Lessing's Laocoön (1984); Mitchell's Iconology (1986); Summers' Judgement of Sense (1987); Rancière's Nights of Labor (1989) and Politics (2007); Eagletonâs Ideology (1990); Jay's Downcast Eyes (1994); Kirby's Telling Flesh (1997); Barnard's Art (1998); Jameson's Postmodernism (1999); Edgar's Key Concepts (1999); Schoroederâs Visual Consumption (2002); Eldridge's Philosophy of Art (2003); Kelly's Iconoclasm (2003); Malshe's Aesthetics (2003); Hall's Subjectivity (2004); Stallabrass' Contemporary Art (2004); Heffernan's Museum (2004) and Cultivating Picturacy (2006); Szerszynski's Nature (2005); Cottington's Modern Art (2005); Day's Class (2007); Hawkes's Ideology (2007); Gillespie's Theological Origins (2008); and Crawford's Shop Class (2009).
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|a Includes bibliographical references (pages 254-268) and index.
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|a TABLE OF CONTENTS; LIST OF FIGURES; EXECUTIVE SUMMARY; PREFACE; ACKNOWLEDGEMENTS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; EPILOGUE; NOTES; APPENDICES; BIBLIOGRAPHY; INDEX.
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|a English.
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|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Aesthetics.
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|a Arts
|x Philosophy.
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|a Theory of art.
|2 bicssc
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|a Humanities.
|2 bicssc
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|a Social & cultural history.
|2 bicssc
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|a PHILOSOPHY
|x Aesthetics.
|2 bisacsh
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|a Aesthetics
|2 fast
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|a Arts
|x Philosophy
|2 fast
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|a Kunst
|2 gnd
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|a Sprache
|2 gnd
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|a Visuelle Wahrnehmung
|2 gnd
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|a Ästhetik
|2 gnd
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|a Rath, Pragyan.
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|i has work:
|a The "I" and the "Eye" (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCG98mWPQC4GGtxYmHyMdHy
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Rath, Pragyan.
|t "I" and the "eye".
|d Newcastle upon Tyne : Cambridge Scholars, 2011
|z 1443829242
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