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|a Cinepaternity :
|b fathers and sons in Soviet and post-Soviet film /
|c [edited by] Helena Goscilo & Yana Hashamova.
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|a Bloomington, IN :
|b Indiana University Press,
|c ©2010.
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|a 1 online resource (x, 331 pages) :
|b illustrations
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|a text
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|a Bibliography
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|a Filmography
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|a Includes bibliographical references, filmographies, and index.
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|a Introduction: cinepaternity: the psyche and its heritage -- Thaw, stagnation, Perestroika. The myth of the "great family" in Marlen Khutsiev's Lenin's guard and Mark Osep'ian's Three days of Viktor Chernyshev / Alexander Prokhorov -- Mending the rupture: the war trope and the return of the imperial father in 1970s cinema / Elena Prokhorova -- Models of male kinship in Perestroika cinema / Seth Graham -- War in the post-Soviet dialogue with paternity. The fathers' war through the sons' lens / Tatiana Smorodinskaya -- War as the family value: failing fathers and monstrous sons in My stepbrother Frankenstein / Mark Lipovetsky -- A surplus of surrogates: Mashkov's Fathers / Helena Goscilo -- Reconceiving filial bonds. Resurrected fathers and resuscitated sons: homosocial fantasies in The return and Koktebel / Yana Hashamova -- The forces of kinship: Timur Bekmambetov's Night watch cinematic trilogy / Vlad Strukov -- Fathers, sons, and brothers: redeeming patriarchal authority in The brigade / Brian James Baer -- Auteurs and the psychological/philosophical. Fraught filiation: Andrei Tarkovsky's Transformations of personal trauma / Helena Goscilo -- Vision and blindness in Sokurov's Father and son / José Alaniz.
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|a Print version record.
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|a This wide-ranging collection investigates the father/son dynamic in post-Stalinist Soviet cinema and its Russian successor. Contributors analyze complex patterns of identification, disavowal, and displacement in films by such diverse directors as Khutsiev, Motyl', Tarkovsky, Balabanov, Sokurov, Todorovskii, Mashkov, and Bekmambetov. Several chapters focus on the difficulties of fulfilling the paternal function, while others show how vertical and horizontal male bonds are repeatedly strained by the pressure of redefining an embattled masculinity in a shifting political landscape.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2011.
|5 MiAaHDL
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538 |
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
|
583 |
1 |
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|a digitized
|c 2011
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a English.
|
590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Fathers and sons in motion pictures.
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|a Motion pictures
|z Russia (Federation)
|x History
|y 20th century.
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|a Pères et fils au cinéma.
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|a ART
|x Film & Video.
|2 bisacsh
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|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
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|a Fathers and sons in motion pictures
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|a Motion pictures
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|a cinéma russe
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|x 21e s. (début)
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|2 rero
|
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|a History
|2 fast
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|a Goscilo, Helena,
|d 1945-
|1 https://id.oclc.org/worldcat/entity/E39PCjGJVww6pKT6MCRkKMkp8C
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|a Hashamova, Yana.
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758 |
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|i has work:
|a Cinepaternity (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGfxt4GKMrwRwX8TbV4wmd
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|t Cinepaternity.
|d Bloomington : Indiana University Press, ©2010
|z 9780253354587
|w (DLC) 2009036049
|w (OCoLC)419823767
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