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Portraiture in Early India : Between Transience and Eternity.

In the study of Indian art prior to the Mughal period, portraiture has so far been much neglected, when its existence has not simply been denied. This book is an attempt to reassess this issue, by showing that portraits have existed in great number in early India, since probably the first artistic a...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Lefevre, Vincent
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leiden : BRILL, 2011.
Colección:Handbook of Oriental Studies. Section 2 South Asia, 25.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Foreword; Acknowledgements; List of Figures; Abbreviations; Introduction Portraiture, a Problematic Issue; Chapter One Identifying Portraits; Chapter Two Viddha / Aviddha. Different Kinds of Portraits for Different Kinds of Purpose; Chapter Three Portraits, Worship and Divine Images; Chapter Four The Origin of Portraiture and the Representation of Heroes; Chapter Five The Royal Portrait, Portrait Par Excellence?; Appendix Vaikun?th?aperumal?Temple, Kanchipuram: Iconography of the Surrounding Galleries; Concluding Remarks; Bibliography; Index. 
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520 |a In the study of Indian art prior to the Mughal period, portraiture has so far been much neglected, when its existence has not simply been denied. This book is an attempt to reassess this issue, by showing that portraits have existed in great number in early India, since probably the first artistic achievements. Through a close scrutiny of sculpted and (more rarely) painted images brought together with textual and epigraphical references, it aims at highlighting the specificities of Indian portraiture, its relationship with divine images and, consequently, at understanding the development of In. 
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