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Art, power, and modernity : English art institutions, 1750-1950 /

Hwo did the rise of metropolitan art institutions influence modernism and the modernisation of art in England? This volume explores the artist as creator, notions of class and taste, and the power of institutions to affect creativity and artistic expression. Topics discussed include the radicalism o...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Fyfe, Gordon
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London ; New York : Leicester University Press, ©2000.
Colección:Contemporary issues in museum culture.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Art, power, and modernity :  |b English art institutions, 1750-1950 /  |c Gordon Fyfe. 
260 |a London ;  |a New York :  |b Leicester University Press,  |c ©2000. 
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490 1 |a Contemporary issues in museum culture 
504 |a Includes bibliographical references (pages 183-198) and index. 
588 0 |a Print version record. 
505 0 |a Plates; Figures; Preface and acknowledgements; 1 Introduction: artists and institutions; 2 Fugitive authorship: William Ivins and the reproduction of art; 3 Art exhibitions and power during the nineteenth century; 4 Auditing the RA: official discourse and the nineteenth-century Royal Academy; 5 Art and reproduction: some aspects of the relations between painters and engravers in London, 1760 to 1850; 6 Art classification and rituals of power: the resurgence of etching; 7 A Trojan horse at the Tate: the Chantrey episode; 8 Towards an historical typology of art museums; Bibliography. 
505 8 |a IndexA; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z. 
520 |a Hwo did the rise of metropolitan art institutions influence modernism and the modernisation of art in England? This volume explores the artist as creator, notions of class and taste, and the power of institutions to affect creativity and artistic expression. Topics discussed include the radicalism of engravers and how their claim to be artists is an important and negkected aspect of the nineteenth-century art world; and how the aesthetic dispute over the Chantrey Bequest epitomized conflicts of taste, cultural independence, and interdependence between opposed art institutions and the Treasury. 
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650 7 |a Politique culturelle  |z Grande-Bretagne  |x Histoire.  |2 ram 
650 7 |a Vie artistique  |z Grande-Bretagne  |y 18e siècle.  |2 ram 
650 7 |a Vie artistique  |z Grande-Bretagne  |y 19e siècle.  |2 ram 
650 7 |a Vie artistique  |z Grande-Bretagne  |y 20e siècle.  |2 ram 
650 7 |a Art et État  |z Grande-Bretagne  |y 18e siècle.  |2 ram 
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650 0 7 |a Geschichte 1750-1950.  |2 swd 
655 7 |a History  |2 fast 
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