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Sensation, contemporary poetry and Deleuze : transformative intensities /

"Poetry is composed of sensation: this Deleuze-Guattarian assertion is central to a Deleuzian poetics that provides a fruitful approach to the difficulties of innovative literature and poetry in particular. This book is a clear exposition of a Deleuzian approach to literature that treats the li...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Clay, Jon
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London ; New York : Continuum, ©2010.
Colección:Continuum literary studies.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Sensation, contemporary poetry and Deleuze :  |b transformative intensities /  |c Jon Clay. 
260 |a London ;  |a New York :  |b Continuum,  |c ©2010. 
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504 |a Includes bibliographical references (pages 198-203) and index. 
520 |a "Poetry is composed of sensation: this Deleuze-Guattarian assertion is central to a Deleuzian poetics that provides a fruitful approach to the difficulties of innovative literature and poetry in particular. This book is a clear exposition of a Deleuzian approach to literature that treats the literary text, particularly the poem, as something that exists in its own right. As such poetry is presented as something that must be encountered, actualised and embodied by readers on its own terms, rather than providing access to something else that it represents'. Far from being a hermetic, 'ivory tower' encounter, the Deleuzian poetics of experimental reading reveals sensational significances that are not only philosophical and social but political. What's more, through a close examination of a range of contemporary innovative poems, Jon Clay suggests that a Deleuzian way of reading offers a firm purchase on notoriously difficult texts, providing concepts and a language that aids their understanding."--Provided by publisher 
588 0 |a Print version record. 
505 0 |a Acknowledgements; Introduction; Chapter One: 'Crowned anarchy' -- Deleuze's univocal concept of being and the simulacrum: non-representational modernism and poetic innovation; Chapter Two: Sensation and a Deleuzian aesthetics: reading innovative poetries; Chapter Three: The significance of sensation: innovative poetry as social thought; Chapter Four: The significance of sensation: the self; Chapter Five: The significance of sensation: the composition and force of innovative poetic space; Chapter Six: The significance of sensation: the politics of contemporary innovative poetry. 
505 8 |a ConclusionNotes; Bibliography; Index; A; B; C; D; E; F; G; H; I; K; L; M; N; O; P; R; S; T; U; V; W. 
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600 1 0 |a Deleuze, Gilles,  |d 1925-1995  |x Knowledge  |x Criticism. 
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650 0 |a Poetry, Modern  |y 21st century  |x History and criticism  |x Theory, etc. 
650 0 |a Experimental poetry  |x History and criticism  |x Theory, etc. 
650 0 |a Senses and sensation in literature. 
650 0 |a Literature  |x Philosophy. 
650 6 |a Poétique. 
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650 6 |a Poésie expérimentale  |x Histoire et critique  |x Théorie, etc. 
650 6 |a Sens et sensations dans la littérature. 
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