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Crisis and continuity : time in the Gospel of Mark /

Here is a compact study of how Mark's Gospel meditates on time. It examines how the Gospel's contemporary setting in ordinary time defines its genre, and how Mark uses the Hebrew scriptures to remember and recall past teachings, prophecies and histories. The suspended time narratives, Mark...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Schildgen, Brenda Deen, 1942-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Sheffield, England : Sheffield Academic Press, ©1998.
Colección:Journal for the study of the New Testament. Supplement series ; 159.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Crisis and continuity :  |b time in the Gospel of Mark /  |c Brenda Deen Schildgen. 
260 |a Sheffield, England :  |b Sheffield Academic Press,  |c ©1998. 
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490 1 |a Journal for the study of the New Testament. Supplement series ;  |v 159 
504 |a Includes bibliographical references (pages 159-168) and indexes. 
520 |a Here is a compact study of how Mark's Gospel meditates on time. It examines how the Gospel's contemporary setting in ordinary time defines its genre, and how Mark uses the Hebrew scriptures to remember and recall past teachings, prophecies and histories. The suspended time narratives, Mark's 'intercalations', on the other hand, interrupt the narrative of the critical time present. Finally, by bringing the eternal horizon into the events of the present, Mark's 'mythic time' reveals the crisis events as a momentary interruption of ordinary time. Similarly, during the 'ritual time', the Gospel na. 
588 0 |a Print version record. 
505 0 |a Cover; Editorial Board; Title; Copyright; CONTENTS; Acknowledgments; Preface; Abbreviations; Introduction; Chapter 1 MARKAN PRESENT TIME: THE GOSPEL AS PICARESQUE NOVELLA; Chapter 2 NARRATIVE AS MEMORY: GOSPEL AS FRAGMENTS; Chapter 3 NARRATIVE DURATION: SUSPENDED TIME; Chapter 4 THE END OF FEAR: MYTHIC TIME IN THE GOSPEL OF MARK; Conclusion; Bibliography; Index of References; Index of Authors. 
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