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The Song of Songs : a feminist companion to the Bible /

The ten essays in this volume, the majority specially written, engage with questions of voice (whose?) and interplay (what kind?) between received interpretation and resisting female reader, and venture into methodological territory familiar and unfamiliar to biblical scholars, including autobiograp...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Brenner, Athalya, Fontaine, Carole R.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Sheffield : Sheffield Academic Press, 2000.
Colección:Feminist companion to the Bible. Second series ; 6.
Temas:
Acceso en línea:Texto completo

MARC

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490 1 |a The feminist companion to the Bible. Second series ;  |v 6 
504 |a Includes bibliographical references and index. 
505 0 |a Ten things every feminist should know about the Song of songs / J. Cheryl Exum -- A holy of holies : the Song of songs as countertext / Alicia Ostriker -- Into another scene of choices : the theological value of the Song of songs / Jonneke Bekkenkamp -- 'My vineyard, my very own, is for myself' / Daphna V. Arbel -- Unlikely bedfellows : allegorical and feminist readings of Song of songs 7.1-8 / Fiona C. Black -- Luis de León and the Song of songs / Jane Barr -- Go your way : women rewrite the scriptures (Song of songs 2.8-14) / Klara Butting -- 'My' Song of songs / Athalya Brenner -- The voice of the turtle : now it's MY Song of songs / Carole R. Fontaine -- 'You are beautiful my love' : the Song of songs of women / Maria Häusl and Ursula Silber. 
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520 |a The ten essays in this volume, the majority specially written, engage with questions of voice (whose?) and interplay (what kind?) between received interpretation and resisting female reader, and venture into methodological territory familiar and unfamiliar to biblical scholars, including autobiographical criticism. Among earlier readers invoked in these pages are Jerome, Rashi and Fray Luis de LTon, who brush pages with Haitian prostitutes. The three sections of this fresh, colourful and adventurous journey into love, sex, allegory and self inside the Most Sublime Song are: Feminist Appropriat. 
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