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Releasing the image : from literature to new media /
It has become a commonplace that "images" were central to the twentieth century and that their role will be even more powerful in the twenty-first. But what is an image and what can an image be? Releasing the Image understands images as something beyond mere representations of things. Rele...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Stanford, Calif. :
Stanford University Press,
2011.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Releasing the image : |b from literature to new media / |c edited by Jacques Khalip and Robert Mitchell. |
| 260 | |a Stanford, Calif. : |b Stanford University Press, |c 2011. | ||
| 300 | |a 1 online resource (xii, 286 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction : release--(non- )origination--concepts / Robert Mitchell and Jacques Khalip -- "Self-generated" images / Peter Geimer -- Cézanne's certainty / Jean-Luc Marion -- Nymphs / Giorgio Agamben -- From fixed to fluid : material-mental images between neural synchronization and computational mediation / Mark B.N. Hansen -- When the ear dreams : Dolby digital and the imagination of sound / Vivian Sobchack -- Imaging sound in new media art : Asia acoustics, distributed / Timothy Murray -- Three theses on the life-image (Deleuze, cinema, biopolitics) / Cesare Casarino -- On producing the concept of the image-concept / Kenneth Surin -- The romantic image of the intentional structure / Forest Pyle -- Ur-ability : force and image from Kant to Benjamin / Kevin McLaughlin -- The tongue of the eye : what "art history" means / Bernard Stiegler. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a It has become a commonplace that "images" were central to the twentieth century and that their role will be even more powerful in the twenty-first. But what is an image and what can an image be? Releasing the Image understands images as something beyond mere representations of things. Releasing images from that function, it shows them to be self-referential and self-generative, and in this way capable of producing forms of engagement beyond spectatorship and subjectivity. This understanding of images owes much to phenomenologythe work of Husserl, Heidegger, and Merleau-Pontyand to Gilles Deleuze's post-phenomenological work. The essays included here cover historical periods from the Romantic era to the present and address a range of topics, from Cézanne's painting, to images in poetry, to contemporary audiovisual art. They reveal the aesthetic, ethical, and political stakes of the project of releasing images and provoke new ways of engaging with embodiment, agency, history, and technology | |
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Image (Philosophy) | |
| 650 | 0 | |a Phenomenology. | |
| 650 | 0 | |a Philosophy, Modern. | |
| 650 | 6 | |a Image (Philosophie) | |
| 650 | 6 | |a Phénoménologie. | |
| 650 | 7 | |a phenomenology. |2 aat | |
| 650 | 7 | |a PHILOSOPHY |x Epistemology. |2 bisacsh | |
| 650 | 7 | |a Image (Philosophy) |2 fast | |
| 650 | 7 | |a Phenomenology |2 fast | |
| 650 | 7 | |a Philosophy, Modern |2 fast | |
| 700 | 1 | |a Khalip, Jacques, |d 1975- | |
| 700 | 1 | |a Mitchell, Robert, |d 1969- | |
| 776 | 0 | 8 | |i Print version: |t Releasing the image. |d Stanford, California : Stanford University Press, 2011 |z 9780804761376 |w (DLC) 2010050536 |w (OCoLC)690585499 |
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