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|a 9781848162693
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|a UAMI
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|a Rose, F.Clifford.
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|a Neurology of Music.
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|a Singapore :
|b World Scientific,
|c 2010.
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|a 1 online resource (350 pages)
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|a text
|b txt
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|a Preface; The Mansell Bequest Symposia of the Medical Society of London; List of Contributors; Abbreviations; Chapter 1. The Evolutionary Basis of Meaning in Music: Some Neurological and Neuroscientific Implications Ian Cross; Chapter 2. Historical Perspectives on the Study of Music in Neurology Julene K. Johnson, Amy B. Graziano, and Jacky Hayward; Chapter 3. The Creative Brain: Fundamental Features, Associated Conditions and Unifying Neural Mechanisms Stavia Blunt; Chapter 4. The Neurologist in the Concert Hall and the Musician at the Bedside George K. York III.
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|a Chapter 5. The Human Nervous System -- A Clavichord? On the Use of Metaphors in the History of Modern Neurology Frank StahnischChapter 6. The Musician's Brain as a Model for Adaptive and Maladaptive Plasticity Eckart Altenmüller; Chapter 7. Temporal Co-ordination of the Two Hands in Playing the Violin Mario Wiesendanger; Chapter 8. Music as a Calibrator of Time: Auditory Processing Steve Jones; Chapter 9. Musical Reading and Writing John Brust; Chapter 10. 'Fools at Musick' -- Thomas Willis (1621-1675) on Congenital Amusia Marjorie Lorch; Chapter 11. Musicogenic Epilepsy Jock Murray.
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|a Chapter 12. Musical Hallucinations Stefan EversChapter 13. Migraine Aura as Source of Artistic Inspiration in the German 'Dark Chanteuse' Alwa Glebe Klaus Podoll; Chapter 14. Musical Palinacousis as an Aura Symptom in Persistent Aura without Infarction Klaus Podoll; Chapter 15. Coloured-Hearing Synaesthesia in Nineteenth-Century Italy Lorenzo Lorusso and Alessandro Porro; Chapter 16. Crossed Wires: Synaesthetic Responses to Music Ivan Moseley; Chapter 17. The Recognition of Music in Frontotemporal Lobar Degeneration Julene K. Johnson.
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|a Chapter 18. Maurice Ravel and the Music of the Brain Ola SelnesChapter 19. Cerebrovascular Disorders of Baroque Composers Tomislav Breitenfeld, Darko Breitenfeld, and Vida Demarin; Chapter 20. From Sensibility to Madness in Nineteenth-Century Romanticism -- Neurosyphilis in German-Speaking Composers Hansjörg Bäzner and Michael Hennerici; Chapter 21. Singing: When It Helps Gottfried Schlaug; Chapter 22. Singing Improves Word Production in Patients with Aphasia Geir Olve Skeie, Torun Einbu, and Johan Aarli; Chapter 23. Nerve Compression Syndromes in Musicians -- A Surgeon's View Ian Winspur.
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|a Chapter 24. Focal Hand Dystonia Affecting Musicians Katherine ButlerIndex.
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|a The first British book on neurology in music was published over 30 years ago. Edited by Drs Macdonald Critchley and R A Henson, it was entitled "Music and the Brain" (published by Wm Heinemann Medical Books), but all of its contributors are now either retired or deceased. Since then, there has been an increasing amount of research, and the present volume includes the most significant of these advances. The book begins with the evolutionary basis of meaning in music and continues with the historical perspectives, after which the human nervous system is compared to a clavichord, highlig.
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|a Print version record.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a Music
|x Physiological aspects
|v Congresses.
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|a Music
|x Psychological aspects
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|a Musical ability
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|a Neurology
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|a Musique
|x Aspect physiologique
|v Congrès.
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|a Musique
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|a Aptitude musicale
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|a Music
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|a Musical ability
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|a Neurology
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|a Conference papers and proceedings
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|i has work:
|a Neurology of music (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGhYg4YJtkPV8Xg6MCpRTd
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|i Print version:
|a Rose, F. Clifford.
|t Neurology of Music.
|d Singapore : World Scientific, ©2010
|z 9781848162686
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856 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=731326
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