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Bleeding Red : Cameroon in Black and White.

Bill NDIís Bleeding Red: Cameroon in Black and White is another masterpiece from a poet with a deeply political vision. This collection of poems with Cameroon as the particular focal point is a paragon of socio-political and cultural alertness in verse that will get every reader on their toes. Bill...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Langaa RPCIG 2010.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Cover -- Title Page -- Copyright Page -- Table of Content -- AUTHORS NOTE -- ANTHEM FOR ESSIGANG -- KAMERUNS AUGUST VISITOR -- THORNY ROSE -- THE FALL OF BAKASSI -- ENCOUNTERS -- PSEUDO-PSEUDO EPHOR -- OUR SUCCESS -- HERITAGE -- POPE OF CAMSIMA -- DREDGING MOKOLO MARKET -- ASSASSINATING DEMOCRACY (INSURGENCE) -- GORJI GUANO -- THE REAL GUANO -- FROM THEN TO DATE -- (54) -- (95) -- CAMEROON 2008 ROBBER IN THE NATION -- GAB ARTISTS OF AFRICA -- BIRTHDAY PARTY (2008) -- TOXIC WASTE AT HOME -- YEARS GONE BY -- SLEEPING FAKO -- BABY AMBAZONIA -- C JS CATTLE MARKET -- A PLACE I CALLED HOME -- BLOOD TWIXT GREEN & YELLOW -- MARE PROVIDERS -- THE NEW SAUL -- ETOUDI ROYAL RAT -- GHOST LION -- LANGSTON & EYE -- ETHICAL CRIMINAL -- TROPICAL JOLT -- GOOD OLD LADY LIBERTY -- SOUP KINGDOM -- DUSTY WITH THE RAINS -- ONCE A NATION OF GIANTS -- WEDDING DAY -- QUIET, ALMOST SAD -- UNPACKING CAMEROON -- LORD OF GREED -- A SONG FOR SHEPHERDS -- FORCED 8230;LOCK -- THE SAD CASE -- MY BROTHER PHONEY -- PEACEFUL CAMEROON -- THE PROMISE -- SMATTERINGS OF PIDGIN VERSE -- CHOP CHAIR -- CONTREE PIPOLE -- TATANGUMBA AND NCHINDA -- PAPA NGANDO YI MIMBA FOR CAMELUN -- Back Cover. 
520 |a Bill NDIís Bleeding Red: Cameroon in Black and White is another masterpiece from a poet with a deeply political vision. This collection of poems with Cameroon as the particular focal point is a paragon of socio-political and cultural alertness in verse that will get every reader on their toes. Bill NDIís world is fraught with topsy-turvydom. It is a world darkened by experience and a keen sense of the wrongs plaguing his beloved country. He points out, without preaching, where it all went wrong, how it can, or what it will take to, be redeemed. The acerbity of Bill NDIís criticism runs from the very first poem of the collection ëAnthem for Essingangí through ëThe Promiseí to the very last one ëPapa Ngando Yi Mimba for Cameluní. What a clime characterised by a ìclan of mbokos, clan of banditsî! It is just natural that as they perpetrate ìdeath and sadnessî in his beloved fatherland, nothing but ìdisgraceî, ìgreat shameî, and ìrepudiationî awaits them for evermore. 
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