Film and Video Censorship in Modern Britain.

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How does film and video censorship operate in Britain? Why does it exist? And is it too strict? Starting in 1979, the birth of the domestic video industry - and the first year of the Thatcher government - this critical study explains how the censorship of films both in cinemas and on video and DVD h...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Petley, Julian (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, 2011.
Temas:
Motion pictures > Censorship > Great Britain > History.
Home video systems > Social aspects > Great Britain.
Cinéma > Censure > Grande-Bretagne > Histoire.
Vidéo d'amateurs > Aspect social > Grande-Bretagne.
POLITICAL SCIENCE > Censorship.
PERFORMING ARTS > Film & Video > History & Criticism.
Home video systems > Social aspects
Motion pictures > Censorship
Music, Dance, Drama & Film.
Film.
Video.
Zensur.
Great Britain
Großbritannien.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Acknowledgements; Introduction; The persistence of censorship; The apparatus of censorship; The role of the press; Moral panic and moral regulation; 'Rules, order and proper pehaviour'; Note; Part I
  • 'Censorious Rigmarole and Legalistic Overkill'; Introduction to Part I; Chapter 1
  • A Nasty Story; Chapter 2
  • Nastier Still; Chapter 3
  • Two or Three Things I Know About 'Video Nasties'; Part II
  • After the Deluge; Introduction to Part II; Chapter 4
  • 'The Tenor of the Times': An Interview with James Ferman.
  • Chapter 5
  • 'Reading Society Aright': Five Years after the Video Recordings ActChapter 6
  • The Video Image; Part III
  • Nineties Nightmares; Introduction to Part III; Chapter 7
  • 'Not Suitable for Home Viewing'; Chapter 8
  • Vicious Drivel and Lazy Sluts; Chapter 9
  • Doing Harm; Chapter 10
  • The Anatomy of a Newspaper Campaign: Crash; Chapter 11
  • The Last Battle, or Why Makin' Whoopee! Matters; Part IV
  • New Millennium, New Beginning?; Introduction to Part IV; Chapter 12
  • 'The Way Things Are Now': AnInterview with Robin Duval; Chapter 13
  • The Limits of the Possible; Chapter 14
  • Full Circle.
  • Appendix: The DPP List of 'Video Nasties'Bibliography; Index.

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