Cargando…
Music, Movies, Meanings, and Markets : Cinemajazzamatazz.
Music, Movies, Meanings, and Markets: Cinemajazzamatazz focuses on (macro)marketing-related aspects of film music in general and on the cinemusical role of jazz in particular. After a review of other work on music in motion pictures, the book explores and illustrates the ways in which on-screen jazz...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hoboken :
Taylor & Francis,
2011.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Book Cover; Title; Copyright; Contents; Preface; Acknowledgments; Part I: Introduction: Ambi-Diegetic Music in Motion Pictures; 1 The Role of Ambi-Diegetic Film Music in the Product Design of Hollywood Movies: Macromarketing in La-La-Land; Part II: Ambi-Diegetic Jazz and the Development of Character; Introduction to Part II; 2 Ambi-Diegetic Film Music As a Product-Design and -Placement Strategy: The Crosby Duets in High Society (1956); 3 The Cinemusical Role of "My Funny Valentine" in The Fabulous Baker Boys (1989) and The Talented Mr. Ripley (1999).
- Part III: The Plot Thickens: Cinemusical Meanings in the Crime-Plus-Jazz GenreIntroduction to Part III; 4 Pete Kelly's Blues (1955); 5 The Cotton Club (1984); 6 Kansas City (1996); Part IV: Jazz, Films, and Macromarketing Themes: Art versus Commerce in the Young Man-with-a-Horn Genre; Introduction to Part IV; 7 Young Man with a Horn (1950); 8 Paris Blues (1961); 9 Mo' Better Blues (1990); Part V: Ambi-Diegetic, Nondiegetic, and Diegetic Cinemusical Meanings in Motion Pictures: Commerce, Art, and Brando Loyalty ... or ... De Niro, My God, to Thee; Introduction to Part V.
- 10 Commerce and New York, New York (1977): He's Delightful He's Delicious; He's ... De Niro; 11 Art and Heart Beat (1980): Stars Fell on Algolagnia; 12 Brando Loyalty and The Score (2001): How Do You Keep the Music Paying?; Part VI: God Is in the Details; Introduction to Part VI; 13 His Eye Is on the Sparrow: Small-but-Significant Cinemusical Moments in Jazz Film Scores by Miles Davis and John Lewis; 14 Small-But-Significant Implications of the Man Who Isn't There In Sweet Smell of Success (1957).
- Part VII: Jazz Biopics as Tragedy and Comedy: Pivotal Ambi-Diegetic Cinemusical Moments in Tragedepictions and Comedepictions of Jazz HeroesIntroduction to Part VII; 15 When Bad Things Happen to Great Musicians: The Troubled Role of Ambi-Diegetic Jazz in Three Tragedepictions of Artistic Genius on the Silver Screen; 16 A Cinemusicaliterary Analysis of the American Dream as Represented By Biographical Jazz Comedepictions in the Golden Age of Hollywood Biopics; References.