Cargando…
Music, Movies, Meanings, and Markets : Cinemajazzamatazz.
Music, Movies, Meanings, and Markets: Cinemajazzamatazz focuses on (macro)marketing-related aspects of film music in general and on the cinemusical role of jazz in particular. After a review of other work on music in motion pictures, the book explores and illustrates the ways in which on-screen jazz...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hoboken :
Taylor & Francis,
2011.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mi 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn731646686 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr |n|---||||| | ||
| 008 | 110620s2011 xx o 000 0 eng d | ||
| 040 | |a EBLCP |b eng |e pn |c EBLCP |d OCLCQ |d MERUC |d OCLCQ |d SGP |d OCLCF |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 020 | |a 9780203815533 | ||
| 020 | |a 020381553X | ||
| 029 | 1 | |a AU@ |b 000058014786 | |
| 035 | |a (OCoLC)731646686 | ||
| 050 | 4 | |a ML2075.H635 2011 | |
| 082 | 0 | 4 | |a 781.5/420973 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Holbrook, Morris. | |
| 245 | 1 | 0 | |a Music, Movies, Meanings, and Markets : |b Cinemajazzamatazz. |
| 260 | |a Hoboken : |b Taylor & Francis, |c 2011. | ||
| 300 | |a 1 online resource (407 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Book Cover; Title; Copyright; Contents; Preface; Acknowledgments; Part I: Introduction: Ambi-Diegetic Music in Motion Pictures; 1 The Role of Ambi-Diegetic Film Music in the Product Design of Hollywood Movies: Macromarketing in La-La-Land; Part II: Ambi-Diegetic Jazz and the Development of Character; Introduction to Part II; 2 Ambi-Diegetic Film Music As a Product-Design and -Placement Strategy: The Crosby Duets in High Society (1956); 3 The Cinemusical Role of "My Funny Valentine" in The Fabulous Baker Boys (1989) and The Talented Mr. Ripley (1999). | |
| 505 | 8 | |a Part III: The Plot Thickens: Cinemusical Meanings in the Crime-Plus-Jazz GenreIntroduction to Part III; 4 Pete Kelly's Blues (1955); 5 The Cotton Club (1984); 6 Kansas City (1996); Part IV: Jazz, Films, and Macromarketing Themes: Art versus Commerce in the Young Man-with-a-Horn Genre; Introduction to Part IV; 7 Young Man with a Horn (1950); 8 Paris Blues (1961); 9 Mo' Better Blues (1990); Part V: Ambi-Diegetic, Nondiegetic, and Diegetic Cinemusical Meanings in Motion Pictures: Commerce, Art, and Brando Loyalty ... or ... De Niro, My God, to Thee; Introduction to Part V. | |
| 505 | 8 | |a 10 Commerce and New York, New York (1977): He's Delightful He's Delicious; He's ... De Niro; 11 Art and Heart Beat (1980): Stars Fell on Algolagnia; 12 Brando Loyalty and The Score (2001): How Do You Keep the Music Paying?; Part VI: God Is in the Details; Introduction to Part VI; 13 His Eye Is on the Sparrow: Small-but-Significant Cinemusical Moments in Jazz Film Scores by Miles Davis and John Lewis; 14 Small-But-Significant Implications of the Man Who Isn't There In Sweet Smell of Success (1957). | |
| 505 | 8 | |a Part VII: Jazz Biopics as Tragedy and Comedy: Pivotal Ambi-Diegetic Cinemusical Moments in Tragedepictions and Comedepictions of Jazz HeroesIntroduction to Part VII; 15 When Bad Things Happen to Great Musicians: The Troubled Role of Ambi-Diegetic Jazz in Three Tragedepictions of Artistic Genius on the Silver Screen; 16 A Cinemusicaliterary Analysis of the American Dream as Represented By Biographical Jazz Comedepictions in the Golden Age of Hollywood Biopics; References. | |
| 520 | |a Music, Movies, Meanings, and Markets: Cinemajazzamatazz focuses on (macro)marketing-related aspects of film music in general and on the cinemusical role of jazz in particular. After a review of other work on music in motion pictures, the book explores and illustrates the ways in which on-screen jazz performances contribute to the development of dramatic meanings in various films, many of which address the art-versus-commerce theme as a central concern. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Motion picture music |z United States |x History and criticism. | |
| 650 | 0 | |a Jazz in motion pictures. | |
| 650 | 4 | |a Jazz in motion pictures. | |
| 650 | 4 | |a Motion picture music |z United States |x History and criticism. | |
| 650 | 4 | |a Fine Arts. | |
| 650 | 4 | |a Education. | |
| 650 | 4 | |a Psychology. | |
| 650 | 4 | |a Electrical engineering. | |
| 650 | 4 | |a Military Science. | |
| 650 | 4 | |a Astronomy. | |
| 650 | 6 | |a Film, Musique de |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Jazz au cinéma. | |
| 650 | 7 | |a Jazz in motion pictures |2 fast | |
| 650 | 7 | |a Motion picture music |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Music, movies, meanings, and markets (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH7jGcqJpTVc8kXBRYyPQq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Holbrook, Morris. |t Music, Movies, Meanings, and Markets : Cinemajazzamatazz. |d Hoboken : Taylor & Francis, ©2011 |z 9780415893138 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=692380 |z Texto completo |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL692380 | ||
| 994 | |a 92 |b IZTAP | ||