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Reading the Allegorical Intertext : Chaucer, Spenser, Shakespeare, Milton.

Judith H. Anderson conceives the intertext as a relation between or among texts that encompasses both Kristevan intertextuality and traditional relationships of influence, imitation, allusion, and citation. Like the Internet, the intertext is a state, or place, of potential expressed in ways ranging...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Anderson, Judith
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bronx : Fordham University Press, 2008.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Reading the Allegorical Intertext :  |b Chaucer, Spenser, Shakespeare, Milton. 
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505 0 |a Cover Page; Title Page; Copyright Page; Dedication; Contents; Prior Publication (in whole or in substantial part); Introduction: Reading the Allegorical Intertext; PART 1: Allegorical Reflections Of The Canterbury Tales In The Faerie Queene; 1. Chaucer's and Spenser's Reflexive Narrators; 2. What Comes after Chaucer's But in The Faerie Queene; 3. "Pricking on the plaine": Spenser's Intertextual Beginnings and Endings; 4. Allegory, Irony, Despair: Chaucer's Pardoner's and Franklin's Tales and Spenser's Faerie Queene, Books I and III; 5. Eumnestes' "immortall scrine": Spenser's Archive. 
505 8 |a 6. Spenser's Use of Chaucer's Melibee:Allegory, Narrative, HistoryPART 2: Agency, Allegory, And History Within The Spenserian Intertext; 7. Spenser's Muiopotmos and Chaucer's Nun's Priest's Tale; 8. Arthur and Argante: Parodying the Ideal Vision; 9. Chaucer's Parliament of Fowls and Refractions of a Veiled Venus in The Faerie Queene; 10. The Antiquities of Fairyland and Ireland; 11. Better a mischief than an inconvenience: "The saiying self" in Spenser's View of the Present State of Ireland; PART 3: Spenserian Allegory In The Intertexts Of Shakespeare And Milton. 
505 8 |a 12. The Conspiracy of Realism: Impasse and Vision in The Faerie Queene and Shakespeare's King Lear13 . Venus and Adonis:Spenser, Shakespeare, and the Forms of Desire; 14. Flowers and Boars: Surmounting Sexual Binarism in Spenser's Garden of Adonis; 15 . Androcentrism and Acrasian Fantasies in the Bower of Bliss; 16. Beyond Binarism: Eros/Death and Venus/Mars in Antony and Cleopatra and The Faerie Queene; 17. Patience and Passion in Shakespeare and Milton; 18. "Real or Allegoric" in Herbert and Milton: Thinking through Difference; 19. Spenser and Milton: The Mind's Allegorical Place; Notes. 
520 |a Judith H. Anderson conceives the intertext as a relation between or among texts that encompasses both Kristevan intertextuality and traditional relationships of influence, imitation, allusion, and citation. Like the Internet, the intertext is a state, or place, of potential expressed in ways ranging from deliberate emulation to linguistic free play. Relatedly, the intertext is also a convenient fiction that enables examination of individual agency and sociocultural determinism. Anderson?s intertext is allegorical because Spenser?s Faerie Queene is pivotal to her study and because allegory, und. 
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600 1 0 |a Milton, John,  |d 1608-1674  |x Criticism and interpretation. 
600 1 1 |a Milton, John,  |d 1608-1674  |x Criticism and interpretation. 
600 1 1 |a Shakespeare, William,  |d 1564-1616.  |t King Lear. 
600 1 1 |a Chaucer, Geoffrey,  |d d. 1400.  |t Canterbury tales. 
600 1 1 |a Spenser, Edmund,  |d 1552?-1599.  |t Faerie queene. 
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630 0 7 |a King Lear (Shakespeare, William)  |2 fast 
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650 0 |a Intertextuality. 
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650 6 |a Influence littéraire, artistique, etc. 
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650 7 |a Influence (Literary, artistic, etc.)  |2 fast 
650 7 |a Intertextuality  |2 fast 
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