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Neoliberalism and Global Cinema : Capital, Culture, and Marxist Critique.
In this edited volume, an international ensemble of scholars looks at how the world's various cinemas, including Asia, Africa, Latin America, Europe, and the U.S., have variously performed, contested, and reinforced the worldwide transition to neoliberalism. Grounded in Marxist theory, the volu...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hoboken :
Taylor & Francis,
2011.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Kapur, Jyotsna. | |
| 245 | 1 | 0 | |a Neoliberalism and Global Cinema : |b Capital, Culture, and Marxist Critique. |
| 260 | |a Hoboken : |b Taylor & Francis, |c 2011. | ||
| 300 | |a 1 online resource (371 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Book Cover; Title; Copyright; Contents; Figures; Acknowledgments; Introduction: Neoliberalism and Global Cinema: Subjectivities, Publics, and New Forms of Resistance; Part I: Hollywood and Global Dominance; 1 "For a Better Deal, Harass Your Governor!": Neoliberalism and Hollywood; 2 A Legacy of Neoliberalism: Patterns in Media Conglomeration; 3 Twenty-first Century Neoliberal Man; Part II: Latin America; 4 Cuban Cinema: A Case of Accelerated Underdevelopment; 5 Politics and Privatization in Peruvian Cinema: Grupo Chaski's Aesthetics of Survival. | |
| 505 | 8 | |a 6 Form, Politics, and Culture: A Case Study of The Take, The Revolution Will Not Be Televised, and Listen to VenezuelaPart III: Asia; 7 Market Socialism and Its Discontent*: Jia Zhangke's Cinematic Narrative of China's Transition in the Age of Global Capital; 8 "Leitmotif": State, Market, and Postsocialist Film Industry under Neoliberal Globalization; 9 From Exploitation to Playful Exploits: The Rise of Collectives and the Redefinition of Labor, Life, and Representation in Neoliberal Japan; 10 The Underdevelopment of Development: Neoliberalism and the Crisis of Bourgeois Individualism. | |
| 505 | 8 | |a 11 Fragments of Labor: Neoliberal Attitudes and Architectures in Contemporary South Korean Cinema12 Mainlandization and Neoliberalism with Postcolonial and Chinese Characteristics: Challenges for the Hong Kong Film Industry; 13 Neoliberalism and Authoritarianism in Singaporean Cinema: A Case Study of Perth; 14 Gambling on Life and Death: Neoliberal Rationality and the Films of Jeffrey Jeturian; Part IV: Africa and Europe; 15 Nollywood in Lagos, Lagos in Nollywood Films; 16 French Cinema: Counter-Model, Cultural Exception, Resistances; Contributors; Index. | |
| 520 | |a In this edited volume, an international ensemble of scholars looks at how the world's various cinemas, including Asia, Africa, Latin America, Europe, and the U.S., have variously performed, contested, and reinforced the worldwide transition to neoliberalism. Grounded in Marxist theory, the volume considers how the contradictions of capital, both as culture and commerce, have played out globally in contemporary media culture. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Culture in motion pictures. | |
| 650 | 0 | |a Motion pictures and globalization. | |
| 650 | 0 | |a Motion pictures |x Economic aspects. | |
| 650 | 0 | |a Motion pictures |x Political aspects. | |
| 650 | 2 | |a Motion pictures |x Social aspects. | |
| 650 | 4 | |a Culture in motion pictures. | |
| 650 | 4 | |a Motion pictures and globalization. | |
| 650 | 4 | |a Motion pictures |x Economic aspects. | |
| 650 | 4 | |a Motion pictures |x Political aspects. | |
| 650 | 4 | |a Motion pictures |x Social aspects. | |
| 650 | 4 | |a Fine Arts. | |
| 650 | 4 | |a Electrical engineering. | |
| 650 | 4 | |a Law. | |
| 650 | 6 | |a Culture au cinéma. | |
| 650 | 6 | |a Cinéma et mondialisation. | |
| 650 | 6 | |a Cinéma |x Industrie |x Aspect économique. | |
| 650 | 6 | |a Cinéma |x Aspect politique. | |
| 650 | 7 | |a Culture in motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures and globalization |2 fast | |
| 650 | 7 | |a Motion pictures |x Economic aspects |2 fast | |
| 650 | 7 | |a Motion pictures |x Political aspects |2 fast | |
| 700 | 1 | |a Wagner, Keith B. | |
| 758 | |i has work: |a Neoliberalism and global cinema (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGPJ9Yf6YQTWYg38DX8f4q |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Kapur, Jyotsna. |t Neoliberalism and Global Cinema : Capital, Culture, and Marxist Critique. |d Hoboken : Taylor & Francis, ©2011 |z 9780415889056 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=692356 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL692356 | ||
| 994 | |a 92 |b IZTAP | ||