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Criminal ingenuity : Moore, Cornell, Ashbery, and the struggle between the arts /
"Poetry was declining/ Painting advancing/ we were complaining/ it was '50," recalled poet Frank O'Hara in 1957. Criminal Ingenuity traces a series of linked moments in the history of this transfer of cultural power from the sphere of the word to that of the image. Ellen Levy exp...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oxford ; New York :
Oxford University Press,
2011.
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| Colección: | Modernist literature & culture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Levy, Ellen |q (Ellen Sue), |d 1957- |1 https://id.oclc.org/worldcat/entity/E39PCjqmjQ3FXcbgFmHt3Q7kfy | |
| 245 | 1 | 0 | |a Criminal ingenuity : |b Moore, Cornell, Ashbery, and the struggle between the arts / |c Ellen Levy. |
| 260 | |a Oxford ; |a New York : |b Oxford University Press, |c 2011. | ||
| 300 | |a 1 online resource (xxxii, 260 pages) | ||
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| 504 | |a Includes bibliographical references (pages 243-251) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Contents; Acknowledgments; Credits; Series Editors' Foreword; Introduction; Abbreviations; 1. Borrowing Paints from a Girl: Greenberg, Eliot, Moore, and the Struggle Between the Arts; 2. "No Poet has been so Chaste": Moore and the Poetics of Ambivalence; 3. An Inconsequential Past: Joseph Cornell after Marianne Moore; 4. Surrealism in "the second, open sense": The Poets of the New York School; 5. "A medium in which it is possible to recognize Oneself ": Ashbery between Poetry and Painting; Notes; Works Cited; Index. | |
| 520 | |a "Poetry was declining/ Painting advancing/ we were complaining/ it was '50," recalled poet Frank O'Hara in 1957. Criminal Ingenuity traces a series of linked moments in the history of this transfer of cultural power from the sphere of the word to that of the image. Ellen Levy explores the New York literary and art worlds in the years that bracket O'Hara's lament through close readings of the works and careers of poets Marianne Moore and John Ashbery and assemblage artist Joseph Cornell. In the course of these readings, Levy discusses such topics as the American debates around surreal. | ||
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| 600 | 1 | 0 | |a Moore, Marianne, |d 1887-1972 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Ashbery, John, |d 1927-2017 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Cornell, Joseph |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Brainard, Joe, |d 1942-1994 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Ashbery, John, |d 1927-2017 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJdx8BTKpqQf6PT4pvvvHC |
| 600 | 1 | 7 | |a Brainard, Joe, |d 1942-1994 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJpdR4bJJKxxQYqqV7HcT3 |
| 600 | 1 | 7 | |a Cornell, Joseph |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxGYD7PFHvc6cCrdpdYT3 |
| 600 | 1 | 7 | |a Moore, Marianne, |d 1887-1972 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJk96m3GwfRHyCCjGkvT73 |
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