Cargando…

Musically Sublime : Indeterminacy, Infinity, Irresolvability.

Musically Sublime rewrites musically the history and philosophy of the sublime. Music enables us to reconsider the traditional course of sublime feeling on a track from pain to pleasure. Resisting the notion that there is a single format for sublime feeling, Wurth shows how, from the mid eighteenth...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Wirth, Keine
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bronx : Fordham University Press, 2009.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000Mi 4500
001 EBOOKCENTRAL_ocn727645708
003 OCoLC
005 20240329122006.0
006 m o d
007 cr |n|---|||||
008 110530s2009 xx o 000 0 eng d
040 |a EBLCP  |b eng  |e pn  |c EBLCP  |d OCLCQ  |d BTCTA  |d OCLCQ  |d LVT  |d OCLCQ  |d LOA  |d OCLCO  |d OCLCF  |d OCLCO  |d K6U  |d OCLCQ  |d OCLCO  |d OCLCL 
019 |a 441210599 
020 |a 9780823230655 
020 |a 0823230651 
035 |a (OCoLC)727645708  |z (OCoLC)441210599 
050 0 0 |a ML 
082 0 4 |a 781.17 
049 |a UAMI 
100 1 |a Wirth, Keine. 
245 1 0 |a Musically Sublime :  |b Indeterminacy, Infinity, Irresolvability. 
260 |a Bronx :  |b Fordham University Press,  |c 2009. 
300 |a 1 online resource (407 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Cover Page; Title Page; Copyright Page; Contents; Acknowledgments; List of Abbreviations; Introduction; 1 Empty Signs and the Burkean Sublime; 2 Sehnsucht, Music, and the Sublime; 3 Ruins and (Un)forgetfulness: A Genealogy of the Musically Sublime; 4 Sounds Like Now: Form-Contrariness, Romanticism, and the Postmodern Sublime; 5 Anxiety: The Sublime as Trauma and Repetition; CODA The Sublime, Intermedially Speaking; Notes; Bibliography. 
520 |a Musically Sublime rewrites musically the history and philosophy of the sublime. Music enables us to reconsider the traditional course of sublime feeling on a track from pain to pleasure. Resisting the notion that there is a single format for sublime feeling, Wurth shows how, from the mid eighteenth century onward, sublime feeling is, instead, constantly rearticulated in a complex interaction with musicality. Wurth takes as her point of departure Immanuel Kant's Critique of Judgment and Jean-François Lyotard's aesthetic writings of the 1980s and 1990s. Kant framed the sublime narratively as an. 
588 0 |a Print version record. 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Sublime, The, in music. 
650 4 |a Fine Arts. 
650 6 |a Sublime dans la musique. 
650 7 |a Sublime, The, in music  |2 fast 
758 |i has work:  |a Musically sublime (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCFJ9mtfWBvFPk3MtqP8CjP  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Print version:  |a Wirth, Keine.  |t Musically Sublime : Indeterminacy, Infinity, Irresolvability.  |d Bronx : Fordham University Press, ©2009  |z 9780823230631 
856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=476702  |z Texto completo 
938 |a Baker and Taylor  |b BTCP  |n BK0008569490 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL476702 
994 |a 92  |b IZTAP