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110530s2009 xx o 000 0 eng d |
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|a UAMI
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|a Wirth, Keine.
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|a Musically Sublime :
|b Indeterminacy, Infinity, Irresolvability.
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|a Bronx :
|b Fordham University Press,
|c 2009.
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|a 1 online resource (407 pages)
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|a text
|b txt
|2 rdacontent
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|a Cover Page; Title Page; Copyright Page; Contents; Acknowledgments; List of Abbreviations; Introduction; 1 Empty Signs and the Burkean Sublime; 2 Sehnsucht, Music, and the Sublime; 3 Ruins and (Un)forgetfulness: A Genealogy of the Musically Sublime; 4 Sounds Like Now: Form-Contrariness, Romanticism, and the Postmodern Sublime; 5 Anxiety: The Sublime as Trauma and Repetition; CODA The Sublime, Intermedially Speaking; Notes; Bibliography.
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|a Musically Sublime rewrites musically the history and philosophy of the sublime. Music enables us to reconsider the traditional course of sublime feeling on a track from pain to pleasure. Resisting the notion that there is a single format for sublime feeling, Wurth shows how, from the mid eighteenth century onward, sublime feeling is, instead, constantly rearticulated in a complex interaction with musicality. Wurth takes as her point of departure Immanuel Kant's Critique of Judgment and Jean-François Lyotard's aesthetic writings of the 1980s and 1990s. Kant framed the sublime narratively as an.
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|a Print version record.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Sublime, The, in music.
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650 |
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|a Fine Arts.
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650 |
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|a Sublime dans la musique.
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650 |
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|a Sublime, The, in music
|2 fast
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758 |
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|i has work:
|a Musically sublime (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFJ9mtfWBvFPk3MtqP8CjP
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
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|i Print version:
|a Wirth, Keine.
|t Musically Sublime : Indeterminacy, Infinity, Irresolvability.
|d Bronx : Fordham University Press, ©2009
|z 9780823230631
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856 |
4 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=476702
|z Texto completo
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938 |
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|a Baker and Taylor
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|a ProQuest Ebook Central
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