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110509s2011 xx o 000 0 eng d |
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|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCQ
|d ZCU
|d MERUC
|d ICG
|d OCLCO
|d OCLCF
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|d OCLCO
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|a 9780739164822
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|a 0739164821
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|a AU@
|b 000050613413
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|a DEBBG
|b BV044153566
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|a AU@
|b 000073076891
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|a (OCoLC)721194490
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|a n-us---
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|a ML3531.R23 2011
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|a 782.4216490973
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|a UAMI
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100 |
1 |
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|a Rabaka, Reiland,
|d 1972-
|1 https://id.oclc.org/worldcat/entity/E39PBJcGjqf4G7Vqmd8yppGWDq
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|a Hip Hop's Inheritance :
|b From the Harlem Renaissance to the Hip Hop Feminist Movement.
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|a Lanham :
|b Rowman & Littlefield Pub. Group,
|c 2011.
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300 |
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|a 1 online resource (266 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Preface and Acknowledgments: Of the Black Souls Who Sang Neo-Sorrow Songs at the Dawn of the Twenty-First Century; 1 "It's Bigger Than Hip Hop!": Toward a Critical Theory of Hip Hop Culture and Contemporary Society; 2 "Civil Rights by Copyright" (Da ReMix!): From the Harlem Renaissance to the Hip Hop Generation; 3 "Say It Loud!--I'm Black and I'm Proud!": From the Black Arts Movement and Blaxploitation Films to the Conscious and Commercial Rap of the Hip Hop Generation.
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|a 4 "The Personal Is Political!" (Da Hip Hop Feminist ReMix): From the Black Women's Liberation and Feminist Art Movements to the Hip Hop Feminist Movement5 Is Hip Hop Dead? or, At the Very Least, Dying?: On the Pitfalls of Postmodernism, the Riddles of Contemporary Rap Music, and the Continuing Conundrums of Hip Hop Culture; Bibliography; Index; About the Author.
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|a Hip Hop's Inheritance arguably offers the first book-length treatment of what hip hop culture has, literally, "inherited" from the Harlem Renaissance, the Black Arts movement, the Feminist Art movement, and 1980s and 1990s postmodern aesthetics. Bycomparing and contrasting the major motifs of the aforementioned cultural aesthetic traditions with those of hip hop culture, all the while critically exploring the origins and evolution of black popular culture from antebellum America through to "Obama'sAmerica," Hip Hop's Inheritance demonstrates that the hip hop generation is not the first generat.
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588 |
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|a Print version record.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Rap (Music)
|x History and criticism.
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650 |
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|a Hip-hop
|z United States.
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|a Hip-hop
|z États-Unis.
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650 |
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|a Hip-hop
|2 fast
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650 |
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|a Rap (Music)
|2 fast
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651 |
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|a United States
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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758 |
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|i has work:
|a Hip hop's inheritance (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCG34r7MpFRgPKmM3F37pMX
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
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|i Print version:
|a Rabaka, Reiland.
|t Hip Hop's Inheritance : From the Harlem Renaissance to the Hip Hop Feminist Movement.
|d Lanham : Rowman & Littlefield Publishing Group, Inc., ©2011
|z 9780739164808
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856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=686290
|z Texto completo
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938 |
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|a EBL - Ebook Library
|b EBLB
|n EBL686290
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994 |
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|a 92
|b IZTAP
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