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Arts in Exile in Britain 1933-194 : Politics and Cultural Identity.
This volume focuses on the contribution of refugees from Nazism to the Arts in Britain. The essays examine the much neglected theme of art in internment and address the spheres of photography, political satire, sculpture, architecture, artists' organisations, institutional models, dealership an...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Rodopi,
2005.
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| Colección: | Yearbook of the Research Centre for German and Austrian Exile Studies, 6.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Behr, Shulamith. |e author. | |
| 245 | 1 | 0 | |a Arts in Exile in Britain 1933-194 : |b Politics and Cultural Identity. |
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| 490 | 1 | |a Yearbook of the Research Centre for German and Austrian Exile Studies, 6 ; |v v. no. 6 | |
| 505 | 0 | |a TABLE OF CONTENTS; Table of Illustrations; Preface; Klaus E. Hinrichsen: The Art Historian behind 'Visual Art behind the Wire'; ART AS POLITICS; BETWEEN THE PUBLIC AND THE DOMESTIC; CREATING FRAMEWORKS; Index. | |
| 520 | |a This volume focuses on the contribution of refugees from Nazism to the Arts in Britain. The essays examine the much neglected theme of art in internment and address the spheres of photography, political satire, sculpture, architecture, artists' organisations, institutional models, dealership and conservation. These are considered under the broad headings 'Art as Politics', 'Between the Public and the Domestic' and 'Creating Frameworks'. Such categories assist in posing questions regarding the politics of identity and gender, as well as providing an opportunity to explore the complex issues of. | ||
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