Neither god nor master : Robert Bresson and radical politics /

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The French auteur Robert Bresson, director of such classics as Diary of a Country Priest (1951), The Trial of Joan of Arc (1962), The Devil, Probably (1977), and L'Argent (1983), has long been thought of as a transcendental filmmaker preoccupied with questions of grace and predestination and li...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Price, Brian, 1970-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis : University of Minnesota Press, ©2011.
Temas:
Bresson, Robert > Criticism and interpretation.
Bresson, Robert
PERFORMING ARTS > Film & Video > Direction & Production.
ART > Film & Video.
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction
  • Crime as a form of liberation : modeling revolt in Pickpocket and A man escaped
  • Word and image, world and nothingness : logocentrism and ironic reversal in Procès de Jeanne d'Arc, Diary of a country priest, and Les anges du péché
  • Man and animal, master and servant : animals and criminality Mouchette and Au hasard Balthazar
  • The aftermath of revolt : Une femme douce and The turn to color
  • Disintegration : Lancelot du Lac, or, the failure of identification and totality
  • The agony of ideas : The devil probably and revolutionary discourse
  • The last gasp : L'argent and the end of socialism.

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